From Hartmuth.Kinzler at rz.Uni-Osnabrueck.DE Sat Apr 17 11:57:18 1999 From: Hartmuth.Kinzler at rz.Uni-Osnabrueck.DE (Hartmuth Kinzler) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: Call for Papers Message-ID: <3.0.6.32.19990417115718.00a23190@mail.rz.uni-osnabrueck.de> >Date: Thu, 15 Apr 1999 18:43:32 -0700 (PDT) >Reply-To: smt-list@boethius.music.ucsb.edu >Originator: smt-list@boethius.music.ucsb.edu >Sender: smt-list@boethius.music.ucsb.edu >From: Jim Rhodes >To: hkinzler@rz.uni-osnabrueck.de >Subject: Call for Papers > > A Symposium > on > Systems Research in the Arts > to be held in conjunction with the > 11th International Conference on Systems Research, Informatics, and > Cybernetics > >Papers are invited for a Symposium on Systems Research in the Arts, to >be held in conjunction with the 11th International Conference on Systems >Research, Informatics, and Cybernetics, August 2-7, 1999 in Baden-Baden, >Germany. The study of systems within the scope of traditional >arts-related theory, or the application of general systems methodologies >to the analysis of music, the visual arts, dance, or architecture are >areas of particular interest. For further information, please visit >http://www.iias.edu. Additional details may be obtained from Jim Rhodes >at jrhodes@shorter.edu. > >************************************** >Jim Rhodes >Associate Professor of Mathematics/Computer Science >Shorter College >Rome, Georgia 30165 USA >Office: 706.233.7272 >Home: 706.291.3823 >Fax: 706.236.1515 >Email: jrhodes@shorter.edu >************************************** From useif at uni-hamburg.de Sun Apr 18 16:57:02 1999 From: useif at uni-hamburg.de (Uwe Seifert) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: C-1 Stellenausschreibung: Systematische Musikwissenschaft Message-ID: <3719F2B8.3F9E@music.uni-hamburg.de> Hier ein Stellenangebot aus Hamburg: ____________________________________________________________ C 1 Stellenausschreibung: Systematische Musikwissenschaft Zum 1. 10. 1999 ist am Musikwisssenschaftlichen Institut der Universitaet Hamburg die Stelle eines/einer wissenschaftlichen Assistenten/Assistentin C 1 im Arbeitsbereich Systematische Musikwissenschaft zu besetzen. Aufgaben und Einstellungsvoraussetzungen: §§ 18, 18a HambHG Schwerbehinderte BewerberInnen werden bei gleicher Eignung und Qualifikation bevorzugt. Die Universitaet Hamburg strebt eine Erhoehung des Frauenanteils beim wissenschaftlichen Personal an und fordert daher geeignete Kandidaten zur Bewerbung auf. Naehere Informationen aschneid@uni-hamburg.de Bewerbungen sind bis zum 17. 05. 1999 zu richten an: Universitaet Hamburg Dekan des Fachbereichs Kulturgeschichte und Kulturkunde Prof. Dr. Helmut Roesing Rothenbaumchaussee 67/69 20148 Hamburg ____________________________________________ Uwe Seifert From Bernd.Enders at uni-osnabrueck.de Sat Apr 24 20:48:31 1999 From: Bernd.Enders at uni-osnabrueck.de (Bernd Enders) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: ISMEAM '99 Message-ID: <3.0.3.32.19990424204831.006cc3ac@mail.rz.uni-osnabrueck.de> >X-Originating-IP: [193.224.217.86] >From: "Keresztes Szabolcs" >Subject: ISMEAM '99 >Date: Sun, 18 Apr 1999 20:17:37 GMT > >ISMEAM '99 >3rd International Summer Meeting of Electroacoustic Music in Sárvár >Nádasdy Castle July 25-31, 1999 > >Venue: Nádasdy Castle, Sárvár, Hungary > >Address: Várkerület 1. H-9600 Sárvár (Sárvár is a small town in West- >Hungary, about 200 km far from Budapest and Vienna alike.) > >Artistic direction: István Szigeti (Hungary) and Igor Lintz-Maues >(Austria). With the participation of the EAR Ensemble (Budapest).  > >The Electroacoustic Music Studio of the Hungarian Radio (HEAR Studio) >and the Austrian Society for Electroacoustic Music (GEM) invite >composers from all over the world to attend this meeting. This is a good >opportunity for performing live electroacoustic music and meet >composers, performers, technicians and audience interested on this >music. At the same time to spend nice days on the charming surroundings >of Sárvár. > >The pieces to be sent can be: chamber music involving electronics (tape >or live-electronics) and any combination of the following instrumental >setting: 2 flutes, 1 bassoon, 1 trumpet, 1 violin, 1 viola, 1 cello, 1 >trombone, 1 clarinet, 1 bass guitar, sopran and mezzo- sopran voices. >Several synthesizers can be also involved in the works. > >There is no possibility of using piano, nevertheless sampler keyboards >are available. Any other instruments is to be provided by the authors at >their own expenses. > >Tape music is wellcome. Nevertheless the participant should provide for >an exciting sound projection concept as well as for its live realization. >12 independent loudspeaker system are available. > >The concerts will be held in the open air, the courtyard of the Castle. >Lights and video projection could eventually be used after sunset. > >The participation on the meeting and the entrance to all concerts are >free of charge. The accomodation and travelling expenses are to be >covered by the participants. There are several possibilities of >accomodation from room to five-star hotel.  > >For hotel reservation please contact Mr Ferenc TóTH. >Phone: +36 95 320 063 >Fax: +36 95 323 425 > >Deadline of applications: 7 May 1999 (works should reach us by this >time). Scores and sounding materials (demo and practising tape, DAT or >CD) are required. > >The organizers reserve the right to choose the works to be performed.  >Materials are sent back upon the special request and the expense of the >consignee. > >Please send the applications to the following address: >Ms Judit TóTH >Hungarian Radio >HEAR Studio >Bródy Sándor utca 5-7. >H-1800 Budapest, Hungary >Phone: +361 138 7085 >Fax: +361 138 7450 >e-mail: > Judit Tóth: tothju@bartok.radio.hu > István Szigeti: hear@prosi.radio.hu > Igor Lintz-Maues: ilm@elac.mhsw.ac.at or lintz-maues@mhsw.ac.at > > >______________________________________________________ >Get Your Private, Free Email at http://www.hotmail.com > -- Prof. Dr. Bernd Enders Universität Osnabrück Forschungsstelle Musik- und Medientechnologie Schloß, Neuer Graben, D-49069 Osnabrück http://www.fmt.uni-osnabrueck.de TEL (+)541/969-4147 FAX (+)541/969-4775 e-mail: Bernd.Enders@uni-osnabrueck.de http://www.musik.uni-osnabrueck.de/lehrende/enders TEL/FAX priv. (+)541/53176 -------------- From Bernd.Enders at uni-osnabrueck.de Sat Apr 24 21:32:04 1999 From: Bernd.Enders at uni-osnabrueck.de (Bernd Enders) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: ISMEAM '99 Message-ID: <199904241932.VAA157048@deimos.rz.uni-osnabrueck.de> begin 644 Happy99.exe M35I0``(````$``\`__\``+@`````````0``:```````````````````````` M``````````````````````$``+H0``X?M`G-(;@!3,TAD)!4:&ES('!R;V=R M86T@;75S="!B92!R=6X@=6YD97(@5VEN,S(-"B0W```````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M`````````````````````````````````````````%!%``!,`00`GR77C@`` M````````X`".@0L!`AD`"@```!8```````````$````!`````@```$`````! 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MBXV0E9Z1P-^RL*JKTK*PJJO?MX:=C9:;W]>W\[&QL;1_Z.( MC)"T9N3D_^CK)2>T9J'FO^LD)F+B)Z-FJ.REIR-D(R0 MF8NCJ):1FY"(C*.\BHV-FI&+J9J-C):0D:.MBI&PD9R:_P`````````````` M```````````````````````````````````````````````````````````` M``````````````````````````!+15).14PS,BYD;&P`3&]A9$QI8G)A2!.97<@665A`@,`\`(# M``(#`P`0`P,`(`,#```````T`P,``````$M%4DY%3#,R+F1L;`!!1%9!4$DS M,BYD;&P`55-%4C,R+F1L;`!'1$DS,BYD;&P`````5W)I=&5&:6QE````56YM M87!6:65W3V9&:6QE````1V5T5VEN9&]W4$`````1V5T36]D M=6QE2&%N9&QE00````!#;W!Y1FEL94$```!'9710&ET4')O8V5S$$```!'9713>7-T96U$:7)E8W1O$$` M``!296=#;&]S94ME>0```%)E;&5A3%_,8PQDC&8,:LQL3'-,=TQXC'P,04R$C(=,BTR.S)-,EHR;#*; M,J4RKC*X,L8R\C(.,RXS-C-#,THS4#-9,X`SAC.2,Y@SM3/5,^0S\#/U,_LS M!C0;-"HT-C0[-$$T3#19-&4T=S1\-((TE#29-)\TL32V-+PTSC34--HTMC7! M-(U[S7\-0(-Y\WJC>R-\DWSS?:-^DW!C@-.!4X'C@R M.#\X=CA\.(LXFSBG.*XXM#BZ.,`XQCC,.-(XV#C>..0XZCCP./8X_#@".0@Y M#CD4.1HY(#DF.2PY,CDX.3XY1#E*.5`Y5CE<.6(Y:#EN.0`````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` M```````````````````````````````````````````````````````````` *```````````````` ` end From ofeser at uos.de Sun Apr 25 02:40:24 1999 From: ofeser at uos.de (Oliver Feser) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: happy99.exe-Virus in ISMEAM '99 Message-ID: <37226477.69451474@uos.de> Liebe Muwisys-Liste! Mit der letzten e-Mail "ISMEAM '99" von Bernd Enders an die Mailingliste habe ich eine zweite Mail mit gleichem Subject und der Datei happy99.exe als Attachment erhalten. BEI DIESER DATEI HANDELT ES SICH UM EIN VIRUS! Daher diese Datei auf keinen Fall ausführen, sondern gleich löschen. Hinweise zum Virus und Entfernungsmöglichkeiten gibt es z.B. unter folgender Adresse: http://www.data-tech.de/news/happy99.htm Grüße Oliver Feser From kopiez at hmt-hannover.de Mon Apr 26 14:36:27 1999 From: kopiez at hmt-hannover.de (kopiez@hmt-hannover.de) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: Professur Systematische MuWi Message-ID: An der Hochschule fuer Musik WUERZBURG ist ab sofort eine Professur C3 fuer MUSIKWISSENSCHAFT/Schwerpunkt Systematische Musikwissenschaft zu besetzen. Die Bewerber/Innen sollen sich durch wissenschaftliche Veroeffentlichungen auf dem Gebiet der Systematischen Musikwissenschaft besonders ausgewiesen haben. Erkennbare Bezuege in ihrer bisherigen Arbeit zu den Ausbildungszwecken einer Musikhochschule waeren von Vorteil. Sie duerfen das 52. Lebensjahr zum Zeitpunkt der Ernennung noch nicht vollendet haben. Die Professur kann auch auf Zeit besetzt werden. Bewerbungen mit den ueblichen Unterlagen (Lebenslauf, Zeugnisse, Urkunden, Taetigkeitsnachweise) sind bis zum 30.4.99 zu richten an den Praesidenten der Hochschule fuer Musik Wuerzburg, Hofstallstr. 6-8, 97070 Wuerzburg From richard.parncutt at kfunigraz.ac.at Mon Apr 26 17:07:31 1999 From: richard.parncutt at kfunigraz.ac.at (Richard Parncutt) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: art meets science Message-ID: <37248121.5D049BEF@kfunigraz.ac.at> Reminder: as previously announced on these lists (sorry for any cross postings), the deadline for submission of proposals to the ART MEETS SCIENCE session at Toronto 2000, in which scientists and artists collaborate to generate original insights in music theory and analysis, is a few days away: 30 April 1999. (The reason for the early deadline is another deadline: on the basis of prposals we receive, the session organisers will compile a proposal for the session as a whole, and submit it to SMT by the end of May.) Details (as previously distributed) follow: ******************************************************************** Toronto 2000: Musical Intersections. November 1-5, 2000 The conference will bring together the Society for Music Theory; the American Musical Instrument Society; the American Musicological Society; the Association for Technology in Music Instruction; the Canadian Association of Music Libraries, Archives, and Documentation Centres; the Canadian Society for Traditional Music; the College Music Society; the Canadian University Music Society; the Historic Brass Society; the Canadian and U.S. chapters of the International Association for the Study of Popular Music; the Lyrica Society for Word-Music Relationships; the Society for Ethnomusicology; the Society for Music Perception; and the Sonneck Society for American Music. This email is a CALL FOR CONTRIBUTIONS for a joint session at Toronto 2000 of the Society for Music Theory (SMT) and the Society for Music Perception and Cognition (SMPC) entitled "ART MEETS SCIENCE: Collaboration between music theorists and music psychologists" Session coordinators: Richard Parncutt and Steve Larson The aim of the session is to generate original insights in music theory and analysis through collaboration between scientists and artists. Each paper in the session will have dual authorship, whereby one author is a music theorist (or an academic whose primary qualifications and publications are in the domain of the arts) and the other a music psychologist (or an academic whose primary qualifications and publications are in the domain of the natural sciences). Authors need not be members of SMT or SMPC. Proposals for contributions should include the following: - title; - authors' names, affiliations, contact details (address, email, tel, fax); - a 500-word abstract; - and a 250-word resume of each author including relevant research interests & findings. Proposals should be emailed simultaneously to Richard Parncutt and Steve Larson . We will prepare a proposal for a joint session on the basis of contributions received, following SMT guidelines published at http://boethius.music.ucsb.edu/smt-list/joint-call.html. Deadline for proposals: Friday, April 30, 1999. Richard Parncutt, Associate Professor of Systematic Musicology Department of Musicology, University of Graz Mozartgasse 3, 8010 Graz, Austria Tel: +43-316 380-2409; Fax: -9755 Email: richard.parncutt@kfunigraz.ac.at Steve Larson, Associate Professor of Music School of Music, University of Oregon 1225 University of Oregon, Eugene, OR 97403-1225, USA Tel: +1-541 346-5651; Fax: -0723 Email: steve@darkwing.uoregon.edu