From reinhard.kopiez at mail.uni-wuerzburg.de Tue Feb 2 17:03:09 1999 From: reinhard.kopiez at mail.uni-wuerzburg.de (reinhard.kopiez@mail.uni-wuerzburg.de) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: Call for PAPERS-DT. GES. =?iso-8859-1?Q?F=DCR?= MUSIKPSYCHOLOGIE Message-ID: -------------- nächster Teil -------------- Ein Dateianhang mit Binärdaten wurde abgetrennt... Dateiname : DGM99-call_for_papers.doc Dateityp : application/msword Dateigröße : 23552 bytes Beschreibung: nicht verfügbar URL : http://list.serv.uni-osnabrueck.de/pipermail/muwisys/attachments/19990202/051a775a/DGM99-call_for_papers.doc -------------- nächster Teil -------------- ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Prof. Dr. Reinhard Kopiez Hochschule fuer Musik und Theater Hannover Emmichplatz 1 30175 Hannover Germany Tel. +49-511-3100 608 Fax +49-511-3100 600 e-mail: reinhard.kopiez@mail.uni-wuerzburg.de kopiez@hmt-hannover.de http://www.uni-wuerzburg.de/musikhochschule/hfm.htm Privat: Eichendorffstr. 3, 97218 Gerbrunn, T./F. 0931-7059140 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ From ista0870 at lineapro.es Tue Feb 9 02:52:46 1999 From: ista0870 at lineapro.es (ISAI) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: ASOCIACION INTERNET DE COMERCIANTES Y EMPRESARIOS Message-ID: <199902090152.CAA45290@deimos.rz.uni-osnabrueck.de> Estimado Empresario/a: Nos complace dirigirnos a ti para informarte que somos una ASOCIACION DE COMERCIANTES Y EMPRESARIOS sin ánimo de lucro con PAGINAS Y VENTA DE NUESTROS PRODUCTOS O SERVICIOS POR INTERNET E INFOVIA PLUS. Que nuestro objetivo principal es fomentar e incrementar el comercio a través de INTERNET E INFOVIAPLUS. Habiendo comprobado con EXITO la utilización de estos medios o servicios de promoción y venta, te invitamos a compartir con nosotros una nueva forma de hacer negocios y aumentar tu Facturación. Alguno de nuestros ASOCIADOS ESTAN FACTURANDO A TRAVES DE INTERNET E INFOVIAPLUS 300.000, 500.000, 2.000.000 INCLUSO ALGUNO A SUPERADO LOS 30.000.000 DE PTAS en UN SOLO MES. Te INVITAMOS A QUE PUEDAS HACER LO MISMO Y PROBAR UNA NUEVA FORMA NUEVA, EFICAZ, SENCILLA Y ECONOMICA DE VENDER Y GANAR DINERO. Por una aportación de 15.000 ptas/año. que incluyen: 1. ALBERGAR TU TIENDA VIRTUAL EN NUESTRO CENTRO COMERCIAL EN INTERNET E INFOVIA PLUS (3 MEGAS para tu publicidad o TIENDA VIRTUAL). 2. APARICION EN GUIA DE PAPEL DE CENTROS PROVEEDORES DE INFORMACION Y TIENDAS VIRTUALES EN INTERNET E INFOVIA PLUS. En la que podrás aparecer con tu logotipo, dirección, teléfono, población, DP. , Dirección de INTERNET e INFOVIA PLUS Y E-MAIL, (clasificado por ACTIVIDAD). A primeros de Marzo editaremos el nº 2. EJEMPLO: http://www.lineapro.es/lineapro/guiapapel.htm 3. INFORMACION TELEFONICA DE TU NEGOCIO. 4. Distintivo negocio recomendado por LA UNION DE COMERCIANTES Y EMPRESARIOS. 5. Ficha comercial de tu NEGOCIO con búsqueda fácil en el jet comercial de LUCE EN INTERNET E INFOVIA PLUS. 6. ASESORAMIENTO DE MARKETING PARA INTERNET. 7. CAMPAÑAS DE PROMOCION Y PUBLICIDAD DE NUESTRO CENTRO COMERCIAL. Por otra parte hemos llegado a un acuerdo de colaboración con BANESTO y nuestros ASOCIADOS también reciben GRATIS: 1. TPV VIRTUAL BANESTO para el cobro de forma segura con tarjeta de crédito de tus ventas por INTERNET O INFOVIAPLUS. 2. CONEXIÓN Y CORREO ELECTRONICO EN INTERNET 3. ALTA EN ESCAPARATE BANESTO. (NEGOCIOS QUE RECOMIENDA Banesto en INTERNET E INFOVIA PLUS). NOTA: Si eres un empresario comprometido con tu negocio y deseas progresar como nosotros, mandanos tus datos y te incluiremos en nuestros servicios. SUBCRIPCION: http://www.lineapro.es/lineapro/subcripcion.htm (MAXIMO SELECCIONAREMOS 3 NEGOCIOS POR ESPECIALIDAD Y DP.). PROGRAMA DE COMUNICACION EN LINEA Puede usted utilizar el programa ICQ para comunicarse en linea con amigos, clientes, proveedores, etc. Lo puede usted bajar de: http://www.lineapro.es/lineapro/icqa130.zip UN SALUDO, GRACIAS JOSE ANTONIO OLOMBRADA MARTIN (Presidente) LUCE. LA UNION DE COMERCIANTES Y EMPRESARIOS INTERNET SERVICIOS AVANZADOS DE INFORMACION TF: 91 514 94 14 INTERNET: http://www.lineapro.es INFOVIA PLUS: http://www.lineapro.es (*) Su dirección EMail fue tomada visitando sus paginas WEB. Si no le interesa esta información y desea que le borremos de nuestra base de datos, acepte nuestras disculpas, y por favor reenvíen este email indicando BORRAR o REMOVE. From Bernd.Enders at uni-osnabrueck.de Fri Feb 12 21:46:46 1999 From: Bernd.Enders at uni-osnabrueck.de (Bernd Enders) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: Computer Music Message-ID: <3.0.3.32.19990212214646.014f3600@mail.rz.uni-osnabrueck.de> VIth Brazilian Symposium on Computer Music Chairman: Dr. Rodrigo Cicchelli Velloso sbcm99@infogene.ctc.puc-rio.br http://www.di.ufpe.br/~glr/sbcm99/ The Symposium ------------- The Brazilian symposia on computer music have consolidated the position of the country in the field. The 6th Brazilian Symposium on Computer Music will be held in Rio de Janeiro, during the 15th Annual Congress of the Sociedade Brasileira de Computacao (SBC) from 19 to 22 of July. The symposium is organized by NUCOM, the computer music branch of SBC. This is a unique opportunity to visit Rio de Janeiro, one of the most beautiful cities in the world and a leading Latin American cultural center. During the symposium there will be concerts, papers and lectures on topics at the cutting edge of computer music technology. Researchers and musicians interested in the interplay between computer technology and music are invited to submit papers and compositions Topics of Interest ------------------ This year we are giving special emphasis to "Musical Composition and Computing Technology". The topics include, but are not limited to, * Acoustics, Diffusion, Sonorization * Audio Hardware Design * Audio Signal Processing * Sound Synthesis * Artificial Intelligence * Psychoacoustics and Cognitive Modeling * Computer Aided Music Analysis * Computer Aided Musical Education * Real-time Interactive Systems * Music Data Structures and Representation * Music Notation, Printing and Optical Recognition * Systems and Languages for Composition * Artificial Life and Evolutionary Music Systems * Internet Applications * Multimedia Integration * Computer-Aided Musicology A selection of papers will be considered for publication in Organised Sound, Cambridge University Press. Committees ---------- Program Committee * Gerard Assayag, IRCAM, France * Aluizio Arcela, Universidade de Brasilia, Brazil * Peter Beyls, St Lukas Hogeschool Brussels, Belgium * Moisei Boroda, University of Bochum, Germany * Marcio Brandao, University of Edinburgh, UK * Antonio Camurri, University of Genova, Italy * Roger Dannenberg, Carnegie Mellon University, USA * Anastasia Georgaki, Ionian University, Greece * Ross Kirk, University of York, UK * Fabio Kon, University of Illinois Urbana-Champaign, USA * Mikhail Malt, IRCAM, France * Jonatas Manzolli, Unicamp, Brazil * Eduardo Miranda (chair), Lamesm UFSM-Brazil & Sony CSL Paris, France * Peter Nelson, University of Edinburgh, UK * Carlos Palombini, Universidade Federal de Pernambuco, Brazil * Geber Ramalho (chair), Universidade Federal de Pernambuco, Brazil * Francis Rumsey, University of Surrey, UK * Xavier Serra, IUA-Pompeu Fabra University, Spain * Petri Toiviainen, University of Jyvaskyla, Finland * Gerhard Widmer, University of Vienna, Austria Music Composition Committee * Rodolfo Caesar (chair), Universidade Federal do Rio de Janeiro, Brazil * Rodrigo Cicchelli Velloso, Universidade Fed. do Rio de Janeiro, Brazil * Francis Dhomont, Universite' de Montreal, Canada * Silvio Ferraz, Laboratorio de Linguagens Sonoras, PUC-SP, Brazil * Thomas Kessler, Musik Akademie, Basel, Switzerland * Denis Smalley, City University, London, UK Pieces for String Orchestra or Jazz Ensemble will also be judged by the following: * Ernani Aguiar, Universidade Federal do Rio de Janeiro, Brazil * Andre Cardoso, Universidade Federal do Rio de Janeiro, Brazil * José Arthur Rua, Universidade Federal do Rio de Janeiro, Brazil Tutorials and Demonstrations Committee * Robert Willey (chair), Universidade Federal do Para, Brazil * Didier Guigue, Universidade Federal da Paraiba, Brazil * Rodolfo Coelho da Souza - University of Texas, Austin * Paris Psaros - CREATE - University of California, Santa Barbara Guidelines for submission -------------------------- +++ Papers +++ Papers describing on-going or concluded research must be submitted in a preliminary version containing no more than 8 pages (Times Roman 12 and 1.5 interline space). Portuguese is acceptable for preliminary submissions but for the final camera-ready papers English is required. Please e-mail submissions to Geber Ramalho (glr@di.ufpe.br) or Eduardo Miranda (miranda@csl.sony.fr) as MS Word 97, pdf or postscript files. Alternatively, indicate the URL where your document may be found. +++ Tutorial and demonstration proposals +++ Proposals for didactic demonstrations in any area of computer music will be considered, including demonstrations of commercial products (software or hardware). They will fall under the following categories: * Introductory level intended for students and those outside the computer music field. Topics can range from popular music tools to more complex applications (e.g., Orchestral MIDI Sequencing Technique, Algorithmic Processes in Contemporary Music, etc.); * Advanced applications for more experienced practitioners (e.g., Digital Signal Processing in Music Composition). Tutorials shall take place 19 July, followed by the symposium opening in the evening. Exhibition of products will continue to 22 July. Proposals should include a survey of topics and an indication of duration. Presenters should be prepared to supply most or all of the necessary equipment. Online tutorials are welcome, to be accessed by participants through web browsers during and after the symposium. Online tutorials should be operative no later than 24 May. Please e-mail proposals to Robert Willey (rw@libnet.com.br). +++ Compositions +++ The Music Selection Committee invites submissions in the following categories: * Music for Tape (DAT or CD) * Pieces for Instruments and Electronics (Tape and/or Live) - Solo Instrument - String Orchestra (a) - Jazz Ensemble (b) * Algorithmic Instrumental Pieces - Solo Instrument - String Orchestra (a) - Jazz Ensemble (b) (a) String Orchestra: 4 (1st violins); 4 (2nd violins); 3 (violas); 3 (cellos); 2 (double-basses) (b) Jazz Ensemble: 5 saxophones (2.2.1) also doubling flutes; 5 trumpets; 4 trombones (3.1); piano; drums; percussion; electric guitar; electric bass Pieces composed within the last five years and no longer than 10 minutes will be preferred. Candidates may submit up to three works. All entries must be accompanied by an Entry Form (please consult our Web site for this form), along with a short CV and program notes. Music for Tape requires submission of a DAT or CD recording. Mixed Pieces (solo, string orchestra or jazz ensemble plus Tape) require submission of the full score, the tape part (DAT or CD) and a recording of the piece. Pieces for Instruments (solo, string orchestra or jazz ensemble) and Live Electronics require submission of the full score, a recording of the piece, and a detailed description of the equipment employed. Algorithmic Instrumental Pieces require submission of the score and information concerning the computing technology (i.e., analytical discussion plus illustrations of patches, tables, etc.). Submissions shall be sent at the candidate's own expenses. Under no circumstances will the symposium organizing committee be liable to customs duties or any other costs arising from an application. Entries, whether select or not, will not be returned. Submissions will be added to NUCOM's music library, located at LaMuT (Escola de Música da UFRJ). Candidates are therefore advised not to send originals. Please send submissions to: SBCM99 - Music Selection Committee, a/c ARTE ELETRONICA - PUC-RIO, Rua Marquês de São Vicente 225, Prédio Gênesis - Sala 16 B, Rio de Janeiro - RJ, 22453-900 Brazil sbcm99@infogene.ctc.puc-rio.br The Brazilian Symposium on Computer Music is the joint effort of a number of individuals and institutions. This year we are glad to announce the support of: * Escola de Musica da Universidade Federal do Rio de Janeiro (Brazil), suplying performers for instrumental pieces; * the Electronic Studios of Musik Akademie - Basel (Switzerland), providing live electronics support; * ARTE ELETRONICA, in the role of executive producers. Important dates --------------- March 5, 1999 - Deadline for postage of compositions March 19, 1999 - Deadline for postage of papers, tutorial proposals and demonstrations April 22, 1999 - Notification of acceptance May 24, 1999 - Deadline for final camera-ready papers Organization ------------ For more information, please contact the organizing committee in Rio de Janeiro: Dr. Rodrigo Cicchelli Velloso (symposium chairperson) Departamento de Composicao Escola de Musica da UFRJ Rua do Passeio 98 Rio de Janeiro RJ 20021-290 Brasil tel: + 55 21 2401391 ramal 38 rodcv@acd.ufrj.br rodcv@openlink.com.br sbcm99@infogene.ctc.puc-rio.br For more information consult the web site: http://www.di.ufpe.br/~glr/sbcm99 8<--------------- LAMESM - Electroacoustic Music Lab Santa Maria - Brazil lamesm@geocities.com http://www.geocities.com/SiliconValley/Network/6537/index.html -- Prof. Dr. Bernd Enders Universität Osnabrück Forschungsstelle Musik- und Medientechnologie Schloß, Neuer Graben, D-49069 Osnabrück http://www.fmt.uni-osnabrueck.de TEL (+)541/969-4147 FAX (+)541/969-4775 e-mail: Bernd.Enders@uni-osnabrueck.de http://www.musik.uni-osnabrueck.de/lehrende/enders TEL/FAX priv. (+)541/53176 -------------- From marini at ACE.bke.hu Thu Feb 25 14:05:14 1999 From: marini at ACE.bke.hu (marini@ACE.bke.hu) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: To whom it may concern . Message-ID: <4E05992ED2@ACE.BKE.HU> Dear Sir/Madam , My name is Marini Dimitra and i am writing on behalf of my brother . He is interested in studying music and he would appreciate some information for your academic institution . He would appreciate information on studies for klarinet and flute plus Byzantine music -if available- and composition . We would like to ask as well for information , concerning the entrance examination , an application form , as well as some basic information for the university itself . His permanenet address is : MARINIS SPIROS 2 DANAOU AND THEATROU 21200 ARGOS GREECE Thank you for your kind consideration and hope to listening from you soon . Yours sincerely , Marini Dimitra P.S: Alternatively from snail mail you can use email as well , at marini@ace.bke.hu both in English and German . From martin.haller at gmx.net Sun Feb 28 19:57:55 1999 From: martin.haller at gmx.net (Martin Haller) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: MODULator: virtuell analoger MODULARER Freeware-Synthesizer fuer Win95/NT Message-ID: <99022820053600.00526@max> Hallo Musiker ! Braucht ihr zufaellig einen virtuell-analogen, modularen Freeware-Software-Sythesizer für Win95/NT ? Nicht ? - Dann kann ich auch nicht helfen ... Ja ? Also, er heisst MODULator, und ist das Ueberbleibsel eines meiner Programmierprojekte unter Windows. Da ich die Nase voll von MicroSoft-Systemen habe, und auf Linux umgestiegen bin, habe ich den MODULator als Freeware auf http://www.online.de/home/MartinHaller/ gelegt. Unter Linux will ich weiter an Synthesizern und Sound-Verarbeitungs-Software arbeiten; die Entwicklung unter MS-Windows habe ich eingestellt ! Also wer Lust hat, kann sich MODULator runterladen - einzige Bedingung: Wenn er euch gefaellt, dann schickt mir doch ein paar Sounds, die ihr gebastelt habt ! Also, viel Spass beim Experimentieren, Martin Haller From martin.haller at gmx.net Sun Feb 28 20:09:27 1999 From: martin.haller at gmx.net (Martin Haller) Date: Fri Jun 1 15:36:49 2007 Subject: [MWS]: MODULator URL: Sorry ! Message-ID: <99022820102501.00526@max> Hi, sorry, die URL ist http://www.online.de/home/martinhaller/ Tschuess Martin