From G.Kreutz at em.uni-frankfurt.de Thu Nov 4 12:07:18 1999 From: G.Kreutz at em.uni-frankfurt.de (Dr. Gunter Kreutz) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: =?iso-8859-1?Q?H=F6rtests?= auf CD Message-ID: <382168E4.24E39656@em.uni-frankfurt.de> Liebe Listener, wer weiss, wo es digitalisierte Versionen der alten Hifi Hoertest- und Messchallplatten gibt? Oder ist jemand im Besitz einer solchen CD und kann mir Bezugsquellen/Erfahrungen mitteilen? Vielen Dank im voraus fuer die freundlichen Auskuenfte! Schoene Gruesse aus Mainhattan, Gunter Kreutz -- _______________________________ Dr. Gunter Kreutz Institut f. Musikpaedagogik JWG-Universitaet Frankfurt Sophienstr. 1-3 D-60487 Frankfurt/M. Tel.: +49 (069) 798-23778 Fax: +49 (069) 798-28929 Imehl: G.Kreutz@em.uni-frankfurt.de priv.: Ginnheimerstr.12 D-60487 Frankfurt/M. Tel.: +49 (069) 707 94594 From werner.funk at t-online.de Fri Nov 5 21:26:11 1999 From: werner.funk at t-online.de (Werner Funk) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Hoertests auf CD References: <382168E4.24E39656@em.uni-frankfurt.de> Message-ID: Dr. Gunter Kreutz schrieb: > Liebe Listener, > > wer weiss, wo es digitalisierte Versionen der alten Hifi Hoertest- und > Messchallplatten gibt? Oder ist jemand im Besitz einer solchen CD und > kann mir Bezugsquellen/Erfahrungen mitteilen? Diesmal auf der richtigen Listenschiene: ich habe zwei Test-CD's: - Test- und Demo-CD des Deutschen High-Fidelity-Instituts Frankfurt Verlag G. Braun Karlsruhe (DHFI Schallplatte Nr.9 * 410741-2) - STAKKATO - Die Hoertest-CD von AUDIO CD 101 001 Vertrieb: Vereinigte Motor-Verlage - Vertrieb AUDIO-Schallplatten - Leuschnerstrasse 1 70174 Stuttgart Beide sind ziemlich betagt (noch lieferbar?), aber s e h r nuetzlich. - immer auf der Suche nach dem ultimativen Klang: - toujours a la recherche du timbre sublime: - siempre buscando al sonido puro: - always working on a subtle sound: Klangwerkstatt Werner Funk From richard.parncutt at kfunigraz.ac.at Fri Nov 12 09:30:54 1999 From: richard.parncutt at kfunigraz.ac.at (Richard Parncutt) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: ICMPC6 - Final call for papers Message-ID: <382BD03A.44E87F46@kfunigraz.ac.at> SIXTH INTERNATIONAL CONFERENCE ON MUSIC PERCEPTION AND COGNITION FOURTH TRIENNIAL ESCOM CONFERENCE KEELE, UK, 5-10 AUGUST 2000 FINAL CALL FOR PAPERS DEADLINE DECEMBER 1st 1999 This is to remind intending delegates that abstracts for contributions to this conference must reach the conference secretariat by Wednesday 1st December 1999. Information on how to submit may be found on our conference web site at http://www.keele.ac.uk/depts/ps/icmpc.html, which also contains full information about costs and facilities. Submissions may be made electronically to icmpc6@keele.ac.uk which is also the email address for enquiries. Submissions may also be sent by disk to Antonia Ivaldi, Conference Secretariat, Department of Psychology, Keele University, Newcastle, Staffs, ST5 5BG, UK. (tel +44 (0)1782 583538). NOTIFICATION Notification of acceptance of submissions will be sent (electronically wherever possible) in early February 2000. At that time the web-site will be updated to allow electronic registration for delegates. Credit card bookings will be accepted. There are discounts for early registration (before March 1st 2000, and before June 1st 2000). CONFERENCE UPDATE 1. INVITED KEYNOTE SPEAKERS We are delighted to announce the following keynote speakers, each associated with a main theme of the conference: Mario Baroni (Bologna) Meaning in music Eugenia Costa Giomi (McGill) Music as an aid to learning and well-being Simon Frith (Strathclyde) Music in popular culture and everyday life (*) Caroline Palmer (Ohio State) The study of music performance Klaus Scherer (Geneva) Music and evolution Johan Sundberg (Stockholm) The human voice *Sponsored by Yamaha-Kemble UK 2. ADDITIONAL CONFERENCE THEMES Other conference themes already advertised include: Young people's participation in and achievement in music Gesture and music We expect submissions for symposia on the following additional topics: The body and music Cross-cultural aspects of music psychology Practice activity in music Music and Emotion Categorical rhythm perception/quantisation Vibrato Categorization, similarity perception, cue abstraction We welcome further proposals. Additional themes will emerge by grouping out of submitted papers. 3. SOCIAL AND CULTURAL PROGRAMME The social and cultural programme will include the following three concerts. Tuesday 8th August: Wigan Youth Jazz Band, sponsored by Yamaha-Kemble UK. Sunday 6th August: contemporary and electroacoustic music presented by graduate students of Keele University's Music Department. Monday 7th August: South Indian Vocal Ensemble directed by Dr. M. Hariharan, Principal of the Barathiar Centre for Performing Arts, Pondicherry, India Several excursions are also being planned for the afternoon of Monday 7th August. These may include Wedgwood Pottery Factory and Museum, Chatsworth (stately home and garden, home of the Duke of Devonshire), Chester (historic Roman city). From Bernhard.Muessgens at rz.Uni-Osnabrueck.DE Sun Nov 14 13:52:22 1999 From: Bernhard.Muessgens at rz.Uni-Osnabrueck.DE (=?iso-8859-1?Q?=22Prof=2E_Dr=2E_Bernhard_M=FC=DFgens=22?=) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Musik und Intelligenz In-Reply-To: <3.0.3.32.19990830184529.007b2c80@mail.rz.uni-osnabrueck.de > Message-ID: <3.0.2.32.19991114135222.007577fc@mail.rz.uni-osnabrueck.de> At 18:45 30.08.1999 +0200, Bernd Enders wrote: >Mozarts Musik macht nicht schlauer > > > US-Psychologe widerlegt Studien der vergangenen Jahre > > > London (AP). Die Musik von Wolfgang Amadeus Mozart macht doch nicht >klüger. Zu diesem Schluss kommt der US-Psychologe Christopher Chabris, der >16 Untersuchungen mit insgesamt 714 Personen zu diesem Thema überprüfte und >den "Mozart-Effekt" daraufhin ins Reich der Fabel verwies. Der Forscher von >der Harvard Universität berichtete am Donnerstag im britischen >Wissenschaftsmagazin "Nature", dass die gemessenen Verbesserungen des >Intelligenzquotienten statistisch unbedeutend seien und nicht auf den >Einfluss der verspielten Melodien des Salzburger Komponisten zurückgeführt >werden könnten. > > >-- >Prof. Dr. Bernd Enders > >Universität Osnabrück >Forschungsstelle Musik- und Medientechnologie >Schloß, Neuer Graben, D-49069 Osnabrück > >http://www.fmt.uni-osnabrueck.de > >TEL (+)541/969-4147 >FAX (+)541/969-4775 > >e-mail: Bernd.Enders@uni-osnabrueck.de >http://www.musik.uni-osnabrueck.de/lehrende/enders > >TEL/FAX priv. (+)541/53176 >-------------- > From Bernhard.Muessgens at rz.Uni-Osnabrueck.DE Sun Nov 14 13:55:10 1999 From: Bernhard.Muessgens at rz.Uni-Osnabrueck.DE (=?iso-8859-1?Q?=22Prof=2E_Dr=2E_Bernhard_M=FC=DFgens=22?=) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Musik & Politik In-Reply-To: <3.0.3.32.19991019102609.007ae990@mail.rz.uni-osnabrueck.de > Message-ID: <3.0.2.32.19991114135510.0071d05c@mail.rz.uni-osnabrueck.de> At 10:26 19.10.1999 +0200, Bernd Enders wrote: >>From: "Jan Hemming" >>Organization: Universitaet Bremen >>To: muwispektrum@CoLi.Uni-SB.DE >>Date: Tue, 19 Oct 1999 01:09:20 +0100 >>Comments: Sender has elected to use 8-bit data in this message. >> If problems arise, refer to postmaster at sender's site. >>Subject: Musik & Politik >>Reply-to: jan.hemming@uni-bremen.de >>X-mailer: Pegasus Mail for Win32 (v3.12a) >>Sender: owner-muwispektrum@CoLi.Uni-SB.DE >> >>Liebe Liste, >> >>heute, am Di, den 19.10. findet von 18ct-20 Uhr die erste Sitzung meines >>Online-Seminars "Musik & Politik" statt. Die Veranstaltung wird silmultan an >>den Universitäten in Bremen, Lüneburg und Oldenburg abgehalten und >>richtet sich - was den Scheinerwerb betrifft - primär an die dortigen >>Studierenden. Allerdings steht sie auch anderen Interessierten zur Online- >>Teilnahme offen, Informationen zum Inhalt finden sich unter: >> >>http://www1.uni-bremen.de/~hemming/lv/politik.html >> >>Es ist an eine traditionelle Seminarstruktur mit Referaten gedacht, die mit >>Live-Bild und -Ton übertragen werden sollen (RealPlayer G2), während >>gleichzeitig und vor allem im Anschluss per IRC diskutiert werden kann. Mit >>dieser Technik haben wir während des vergangenen DVSM-Symposiums >>sehr gute Erfahrungen gemacht. >> >>Am an der Einführung teilzunehmen, können sie mit den RealPlayer >>folgende Adresse öffnen: >> >>rtsp://134.102.48.129/seminar.rm >>(alternativ, bei Problemen: rtsp://134.102.48.104/seminar.rm) >> >>und parallel dazu folgende Internetseite aufrufen, um in den Chatroom zu >>gelangen: >> >>http://bird.musik.uni-osnabrueck.de:8888/ >> >>Diese Ankündigung ist etwas kurzfristig. Selbstverständlich können sie auch >>noch später einsteigen, der nächste Termin ist der 2.11., danach geht es im >>Wochenrhythmus weiter. >> >>Viele Grüße >> >>* Jan Hemming M.A. >>* Universitaet Bremen >>* FB 9 (Musik) >>* Postfach 330440 >>* 28334 Bremen >>* Deutschland / Germany >>* fon: +49 421 218 9024 >>* fax: +49 412 218 7380 >>* e-mail: jan.hemming@uni-bremen.de >>* http://www1.uni-bremen.de/~hemming/ >> > >-- >Prof. Dr. Bernd Enders > >Universität Osnabrück >Forschungsstelle Musik- und Medientechnologie >Schloß, Neuer Graben, D-49069 Osnabrück > >http://www.fmt.uni-osnabrueck.de > >TEL (+)541/969-4147 >FAX (+)541/969-4775 > >e-mail: Bernd.Enders@uni-osnabrueck.de >http://www.musik.uni-osnabrueck.de/lehrende/enders > >TEL/FAX priv. (+)541/53176 >-------------- > From Bernhard.Muessgens at rz.Uni-Osnabrueck.DE Sun Nov 14 13:55:20 1999 From: Bernhard.Muessgens at rz.Uni-Osnabrueck.DE (=?iso-8859-1?Q?=22Prof=2E_Dr=2E_Bernhard_M=FC=DFgens=22?=) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: VII SBCM In-Reply-To: <3.0.3.32.19991024150303.007b3840@mail.rz.uni-osnabrueck.de > Message-ID: <3.0.2.32.19991114135520.00729668@mail.rz.uni-osnabrueck.de> At 15:03 24.10.1999 +0200, Bernd Enders wrote: >>From: "BERNADETE ZAGONEL" >>To: "Jorge Aguiar" >>Subject: VII SBCM >>Date: Sun, 24 Oct 1999 00:53:40 -0200 >>X-MSMail-Priority: Normal >>X-Mailer: Microsoft Outlook Express 4.72.3110.1 >>X-MimeOLE: Produced By Microsoft MimeOLE V4.72.3110.3 >>Sender: owner-cecdiscuss@concordia.ca >>Reply-To: cecdiscuss@concordia.ca >> >> ******** VII Brazilian >>Symposium on Computer Music ******** ******************** 17--20 July >>2000 ******************** *********************** Brazil >>*********************** PRELIMINARY CALL >>FOR PAPERS, COMPOSITIONS, TUTORIALS AND >> PRODUCT DEMONSTRATIONS The Sixth Brazilian Symposium on >>Computer Music saw researchers from various countries discussing their >>experiences in a friendly and informal atmosphere. The Seventh Brazilian >>Symposium, chaired by Bernadete Zagonel (bzagonel@humanas.ufpr.br) , will >>be held in Curitiba, the capital of the Parana state, from 17 to 20 July >>2000. The Brazilian Symposia are organized by NUCOM, the computer music >>branch of the Brazilian Computing Society and pride themselves on their >>intercultural nature and selection policies. Roger Dannenberg (USA) and >>Leigh Landy (UK) will deliver the keynote speeches. There will be paper >>presentations, concerts, tutorials and product demonstrations. Researchers, >>composers, educators, manufactures and all concerned with the interplay >>between music and technology are invited to submit papers, compositions, >>tutorial projects and product demonstration proposals. *important dates* >>--- 25 February 2000 --- closing date for postage of compositions --- 3 >>March 2000 --- closing date for postage of papers, tutorials and product >>demonstration proposals --- 31 March 2000 --- notification of acceptance of >>papers --- 21 April 2000 --- notification of acceptance of compositions, >>tutorials and product demonstration proposals --- 21 April 2000 --- closing >>date for camera-ready papers *submission of papers* Topics of interest >>include, but are not limited to: Acoustics, Diffusion, Sonorization >>Artificial Life and Evolutionary Music Systems Audio Hardware Design Audio >>Signal Processing Computer Aided Musical Education Computer Aided Music >>Analysis Computer-Aided Musicology Internet Applications Multimedia >>Integration Music Data Structures and Representation Music Notation, >>Printing and Optical Recognition The Musicologies of Digital Musics >>Psychoacoustics and Cognitive Modelling Real-time Interactive Systems Sound >>Synthesis Systems and Languages for Composition This year we are giving >>particular emphasis to the musicologies (historical, systematic, ethno, >>critical etc) of digital musics (computer music, electroacoustic music, >>soundscape, techno etc.). Papers reporting ongoing or concluded research >>should be submitted in a preliminary version of no more than 8 pages (Times >>Roman 12 and 1.5 interline space). Please state clearly in the front page >>which of the above headings, if any, best describes your subject matter. >>Preliminary submissions in Portuguese will be accepted on the understanding >>that their authors will undertake to present the final version in English. >>You are kindly requested not to reveal your identity in your paper (avoid >>self reference etc.). Please send MS Word 97 compatible files as e.-mail >>attachments to the Chairs, Aluizio Arcela *and* Carlos Palombini: >>arcela@cic.unb.br and palombini@usa.net. By agreement with the Editors, a >>selection of musicological papers will be published online in the >>*Electronic Musicological Review* and the *Critical Musicology Journal*, as >>appropriate. Since online publication is likely in all areas, authors are >>encouraged to take advantage of hypertext facilities. *committee of papers >>* Aluizio Arcela, *Chair*, University of Brasilia, Brazil Daniel Arfib, >>CNRS-LMA, Marseille, France Peter Beyls, St Lukas Art School, Belgium >>Georgina Born, Emmanuel College, University of Cambridge, UK Moisei Boroda, >>German Association of Musicians, Germany Marcio Brandao, University of >>Edinburgh, UK Antonio Camurri, University of Genoa, Italy Furio Damiani, >>State University of Campinas, Brazil Roger Dannenberg, Carnegie Mellon >>University, USA Myrian Desainte-Catherine, University of Bordeaux, France >>Simon Emmerson, City University, UK Carole Gubernikoff, University of Rio >>de Janeiro, Brazil Fabio Kon, University of Illinois at Urbana-Champaign, >>USA Leigh Landy, De Montfort University, UK Victor Lazzarini, National >>University of Ireland, Eire Peter Manning, University of Durham, UK Jonatas >>Manzolli, State University of Campinas, Brazil Eduardo Miranda, Lamesm, >>Federal University of Santa Maria, Brazil, and Sony CSL-Paris, France Axel >>Mulder, Infusion Systems Ltd., Canada Richard Orton, University of York, UK >>Carlos Palombini, *Chair*, Federal University of Pernambuco, Brazil Geber >>Ramalho, Federal University of Pernambuco, Brazil Alistair Riddell, >>Queensland University of Technology, Australia Steve Sweeney-Turner, >>University of Leeds, UK Rick Taube, University of Illinois at >>Urbana-Champaign, USA Petri Toiviainen, University of Jyvaskyla, Finland >>Barry Truax, Simon Fraser University, Canada Mirjana Veselinovic-Hofman, >>Belgrade University of Arts, Yugoslavia Marcelo M. Wanderley, IRCAM --- >>Centre Georges Pompidou, France Luke Windsor, University of Leeds, UK >>*submission of compositions* The Seventh Brazilian Symposium on Computer >>Music will seek to highlight the variety of musical styles that come under >>the computer music heading. Submissions are invited from composers working >>in all genres within the field. Formats are as follows: [1] music for >>tape, 2 to 8 channels; [2] music for tape or live-electronics with vocal >>and/or instrumental parts; [3] algorithmic composition, vocal and/or >>instrumental. For [1] send DAT or CD. For [2] send DAT or CD recording of >>the electronic part plus full score and, if at all possible, a recording of >>the full piece. For [3] send DAT or CD plus full score. Submission must >>include: --- one copy of a brief programme note (10 to 15 lines in >>English, Portuguese or Spanish); --- one copy of a short biography (10 to >>15 lines in English, Portuguese or Spanish); --- three copies of all music >>materials (CDs, DATs and scores). Please post submissions by air mail to >>the Chair, Fernando Iazzetta, to whom enquiries may be addressed: >>iazzetta@usp.br. Fernando Iazzetta USP - ECA - Dpto. Musica Rua da Antiga >>Reitoria, S/N 05508-900 - Sao Paulo - SP Brazil Please, note: --- pieces >>not exceeding 12 minutes are preferred; --- compositions must have been >>created no earlier than in 1997; --- although we cannot guarantee >>execution of pieces that involve vocal or instrumental forces or that bring >>extra costs to the event, we shall do our best to work out a solution in >>consultation with the authors; --- pieces for more than 2 channels require >>that the submission of a stereo DAT or CD be followed, if selected, by the >>multi-track tape. --- submissions will be deposited in the symposia >>archive and will not be returned; --- up to 2 different works may be >>submitted by composer. *committee of compositions*: Miguel Azguime, >>Portugal Francoise Barriere, France Rodolfo Caesar, Brazil Carlos Cerana, >>Argentina Paulo Chagas, Brazil/Germany Silvio Ferraz, Brazil Denise Garcia, >>Brazil Fernando Iazzetta, *Chair*, Brazil Paul Lansky, USA Emmanuelle >>Loubet, Japan/Germany Wilson Sukorski, Brazil *tutorials and product >>demonstrations* Please contact Conrado Silva: conrado@unb.br Conrado >>Silva Universidade de Brasilia Colina Bl. E Ap. 602 70910-900 Brasilia DF >>BRASIL tel. +55 61 349-8978 fax +55 61 349-0757 For updated information >>please visit the Symposium website >>http://www.eca.usp.br/nucleos/lami/nucom/sbcm2000.html PLEASE FORWARD AT >>YOUR DISCRETION > >-- >Prof. Dr. Bernd Enders > >Universität Osnabrück >Forschungsstelle Musik- und Medientechnologie >Schloß, Neuer Graben, D-49069 Osnabrück > >http://www.fmt.uni-osnabrueck.de > >TEL (+)541/969-4147 >FAX (+)541/969-4775 > >e-mail: Bernd.Enders@uni-osnabrueck.de >http://www.musik.uni-osnabrueck.de/lehrende/enders > >TEL/FAX priv. (+)541/53176 >-------------- > From useif at uni-hamburg.de Sat Nov 27 16:17:42 1999 From: useif at uni-hamburg.de (Uwe Seifert) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Cologne position musicology Message-ID: <383FF612.E120A425@uni-hamburg.de> (My apologies for any cross-postings) NOTICE OF FACULTY VACANCY IN MUSICOLOGY Professur: Historische Musikwissenschaft Deadline: 31. 12. 1999 Universitaet zu Koeln Philosophische Fakultaet Musikwissenschaftliches Institut Albertus-Magnus-Platz 50923 Köln ----------------------------------------------------------------------------------------------------------------------- text from http://www.uni-koeln.de/phil-fak/dekanat.htm: --- Universität zu Köln Am Musikwissenschaftlichen Institut der Philosophischen Fakultät der Universität zu Köln ist zum 1. Oktober 2001 eine C-4 Professur für Musikwissenschaft (Nachfolge Professor Dr. Dietrich Kämper) wiederzubesetzen. Bewerberinnen/Bewerber sollten in der Lage sein, die Historische Musikwissenschaft in ihrer gesamten Breite in Forschung und Lehre zu vertreten. Einstellungsvoraussetzungen sind: abgeschlossenes Hochschulstudium, pädagogische Eignung, Promotion und Habilitation oder der Nachweis gleichwertiger wissenschaftlicher Leistungen. Die Universität zu Köln wirkt bei der Wahrnehmung ihrer Aufgaben darauf hin, daß Frauen und Männer in der Universität die ihrer Qualifikation entsprechenden gleichen Entwicklungsmöglichkeiten haben und daß für Frauen bestehende Nachteile beseitigt werden. Die Bewerbung von Frauen ist der Universität daher besonders willkommen. Die Bewerbung entsprechend qualifizierter Schwerbehinderter ist erwünscht. Bewerbungen mit den üblichen Unterlagen (Lebenslauf, Schriften- und Lehrveranstaltungsverzeichnis, Urkunden über akademische Prüfungen und Ernennungen, insbesondere Habilitation) sind unter der Angabe der Dienst- und Privatadresse (auch Tel.) bis zum 31. Dezember 1999 zu richten an den Dekan der Philosophischen Fakultät der Universität zu Köln, Albertus-Magnus-Platz, 50923 Köln. ------ END of TEXT ---- Kind regards Uwe Seifert From fleischmann at gmd.de Tue Nov 30 00:47:37 1999 From: fleischmann at gmd.de (monika fleischmann) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: MEMORIA FUTURA, 11-12 Dec 1999, GMD Bonn / Germany Message-ID: Dear friends and colleagues, the German National Research Center for Information Technology - GMD - is organizing together with the Italian embassy and the SFG Wissenschaftsfestival Bonn from December 11 - 12, 1999 the SYMPOSIUM : MEMORIA FUTURA - Cultural Heritage and Information Technology: a new perspective? Information technology has proven itself to be of value but what concept of culture will develop out of the interweaving of history and New Media? What can art and culture contribute to it and what relevance does it have for society? The aim of the event is to discover answers to these questions. On Saturday the 11th of December 99 artists, researchers and curators will discuss the relationship between Art, Culture and Technology in Germany and in Italy and new tools for museum and audience. How do networks, connectivity and new instruments influence artistic works and processes - in urban space and on the Mixed Reality stage? How is IT research influenced by working in interdisciplinary groups with computer scientists, artists and cultural theorists. Amongst other things MEMORIA FUTURA is presenting results of 3 european i3 projects - eRENA, HIPS, COMRIS - and the BMBF funded CAT project. On Sunday the 12th international experts from art, culture, medicine and information technology will talk about MEMORIA FUTURA in the next century with respect to the past and the present. We would like to invite you to this Symposium at GMD, Schloss Birlinghoven near Sankt Augustin/Bonn. MEMORIA FUTURA - On-line Internet event A group of invited experts will join the symposium via Internet as part of an experiment in researching models for integration of different media for cultural events for the broad public. Audio & video of the panel taking part at the physical location of the symposium are streamed to Internet participants using G2 real server & players. This event is one of the first activities of the recently started CAT - Communication, Art and Technology Network project that is supported by the German Ministry of Research and Education. Its aim is to further the development of "media culture" by providing an "infrastructure" for linking independent media artists with research labs and educational institutions, as well as with TIME-industries. MEMORIA FUTURA - European satellite transmission With the support of EUTELSAT (http://www.eutelsat.com) and GMD NetSat group (http://sat.gmd.de/) the event is broadcasted live across Europe. Video and bilingual audio signals are transmitted from GMD - the German National Research Center for Information Technology to EUTELSAT Paris to be distributed via satellite. Memoria Futura is one of the first european events linking cultural practice and cultural policy with information technology. National borders are transcended for cultural exchange and participation by the support of satellites. More info on the symposium program: http://imk.gmd.de/mars/cat/memoria We hope to see you there. Monika Fleischmann INFO & REGISTRATION: Christine Harms GMD - Forschungszentrum Informationstechnik Schloss Birlinghoven 53754 Sankt Augustin Tel: 02241 - 14 2473 e-Mail: christine.harms@gmd.de http://www.sfg.de/wissenschaft/wissenschaftsfestival/anmeld_12_12.html TICKETS: DM 20 / DM 10 (Students) ------------------------------------------------------------------------------ Head of MARS - Media Arts & Research Studies, Institute for Media Communication GMD - German National Research Center for Information Technology Schloss Birlinghoven, D-53754 Sankt Augustin, http://imk.gmd.de/mars email: fleischmann@gmd.de, tel: x49-2241-142809, assist:-142211, fax:-142449 ------------------------------------------------------------------------------ From bs-muenchen at stelkens.de Tue Nov 30 20:48:06 1999 From: bs-muenchen at stelkens.de (=?iso-8859-1?Q?b=FCro?= stelkens) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: crusherX-Live! real-time fog synthesizer Message-ID: <3.0.6.32.19991130204806.0083cbf0@post.strato.de > To everybody who is interested in sound software: I want to introduce my new shareware programm witch you can use to create innovative electronical sounds and rhythms: **************************************** * crusherX-Live 1.22 * * * * real-time fog soundsynthesis for PCs * * * * * * buero , J. Stelkens * * info@stelkens.de * * * * Download: http://www.crusher-x.de * **************************************** Concept crusher-X is a shareware program whose powerful fog synthesis algorithm enables you to synthesize very complex and cool waves. Based on traditional granular synthesis, crusher-X can be used as a synthesizer or as a versatile effects unit. You can create sounds with the internal oscillators or external files as well as input real-time stereo soundfiles. Internal feedback loops allow self-oscillation within crusher-X! Algorithm The new crusher-X algorithm (we call it fog synthesis) is based on the traditional granular synthesis algorithm invented in the early 1950s. In granular synthesis, short (e.g. 50 milliseconds) sound fragments, "the grains," come from a fixed file buffer. The starting time, length and silence between the grains can be modulated. More than one grain at a time is possible, so you can create complex sounds "clouds" from a single soundfile. The most significant difference between granular and fog synthesis is the floating sound buffer which allows real-time input and output. In this floating buffer the grains are created. You can apply many unusual parameters to the grains such as pitch, filter, pan, reverse, and limit - all with a simple, flexible interface. All parameters can be modulated by internal oscillator sources, whose configuration can be saved as crusher-sheets. A feedback loop inside the algorithm enables very complex and non-linear sound processing. Also, a multiple Undo/Redo function permits nondestructive work and encourages experimentation with crusher-X. Although crusher-X is a very complex and sophisticated program, it is very inexpensive shareware. But also without registration you can have mutch fun while testing the program. I hope you have fun creating crusher-sounds, i´m more than happy for criticism and feedback, Best wishes, J. Stelkens P.S. If you want to be removed from that list, please give me a little note. Thank´s for your patience! ---------------------------------------------- - - - Dipl.- Ing. Joerg Stelkens - - - - buero muenchen - - in der [alten conditorei] - - Adlzreiterstr. 14 - - 80337 Muenchen (Zentrum) - - - - mail: bs-muenchen@stelkens.de - - info: info@stelkens.de - - privat: joerg@stelkens.de - - - - büro: 089/76755804 - - mobil: 0172/9613748 - - - - www: http://www.stelkens.de - - http://www.crusher-x.de - - - ---------------------------------------------- ---------------------------------------------- - - - Aktuelle Projekte: - - - - Crusher-X: real time fog synthesizer - - !Download now! - - http://www.crusher-x.de - - - - syncMaker: synchronous AVI File(DV) Player - - http://www.stelkens.de/sk/syncmaker/ - - - ----------------------------------------------