[MWS]: VII SBCM
"Prof. Dr. Bernhard Müßgens"
Bernhard.Muessgens at rz.Uni-Osnabrueck.DE
Son Nov 14 13:55:20 CET 1999
At 15:03 24.10.1999 +0200, Bernd Enders wrote:
>>From: "BERNADETE ZAGONEL" <musica2000 at uol.com.br>
>>To: "Jorge Aguiar" <maxwell at compuland.com.br>
>>Subject: VII SBCM
>>Date: Sun, 24 Oct 1999 00:53:40 -0200
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>> ******** VII Brazilian
>>Symposium on Computer Music ******** ******************** 17--20 July
>>2000 ******************** *********************** Brazil
>>*********************** PRELIMINARY CALL
>>FOR PAPERS, COMPOSITIONS, TUTORIALS AND
>> PRODUCT DEMONSTRATIONS The Sixth Brazilian Symposium on
>>Computer Music saw researchers from various countries discussing their
>>experiences in a friendly and informal atmosphere. The Seventh Brazilian
>>Symposium, chaired by Bernadete Zagonel (bzagonel at humanas.ufpr.br) , will
>>be held in Curitiba, the capital of the Parana state, from 17 to 20 July
>>2000. The Brazilian Symposia are organized by NUCOM, the computer music
>>branch of the Brazilian Computing Society and pride themselves on their
>>intercultural nature and selection policies. Roger Dannenberg (USA) and
>>Leigh Landy (UK) will deliver the keynote speeches. There will be paper
>>presentations, concerts, tutorials and product demonstrations. Researchers,
>>composers, educators, manufactures and all concerned with the interplay
>>between music and technology are invited to submit papers, compositions,
>>tutorial projects and product demonstration proposals. *important dates*
>>--- 25 February 2000 --- closing date for postage of compositions --- 3
>>March 2000 --- closing date for postage of papers, tutorials and product
>>demonstration proposals --- 31 March 2000 --- notification of acceptance of
>>papers --- 21 April 2000 --- notification of acceptance of compositions,
>>tutorials and product demonstration proposals --- 21 April 2000 --- closing
>>date for camera-ready papers *submission of papers* Topics of interest
>>include, but are not limited to: Acoustics, Diffusion, Sonorization
>>Artificial Life and Evolutionary Music Systems Audio Hardware Design Audio
>>Signal Processing Computer Aided Musical Education Computer Aided Music
>>Analysis Computer-Aided Musicology Internet Applications Multimedia
>>Integration Music Data Structures and Representation Music Notation,
>>Printing and Optical Recognition The Musicologies of Digital Musics
>>Psychoacoustics and Cognitive Modelling Real-time Interactive Systems Sound
>>Synthesis Systems and Languages for Composition This year we are giving
>>particular emphasis to the musicologies (historical, systematic, ethno,
>>critical etc) of digital musics (computer music, electroacoustic music,
>>soundscape, techno etc.). Papers reporting ongoing or concluded research
>>should be submitted in a preliminary version of no more than 8 pages (Times
>>Roman 12 and 1.5 interline space). Please state clearly in the front page
>>which of the above headings, if any, best describes your subject matter.
>>Preliminary submissions in Portuguese will be accepted on the understanding
>>that their authors will undertake to present the final version in English.
>>You are kindly requested not to reveal your identity in your paper (avoid
>>self reference etc.). Please send MS Word 97 compatible files as e.-mail
>>attachments to the Chairs, Aluizio Arcela *and* Carlos Palombini:
>>arcela at cic.unb.br and palombini at usa.net. By agreement with the Editors, a
>>selection of musicological papers will be published online in the
>>*Electronic Musicological Review* and the *Critical Musicology Journal*, as
>>appropriate. Since online publication is likely in all areas, authors are
>>encouraged to take advantage of hypertext facilities. *committee of papers
>>* Aluizio Arcela, *Chair*, University of Brasilia, Brazil Daniel Arfib,
>>CNRS-LMA, Marseille, France Peter Beyls, St Lukas Art School, Belgium
>>Georgina Born, Emmanuel College, University of Cambridge, UK Moisei Boroda,
>>German Association of Musicians, Germany Marcio Brandao, University of
>>Edinburgh, UK Antonio Camurri, University of Genoa, Italy Furio Damiani,
>>State University of Campinas, Brazil Roger Dannenberg, Carnegie Mellon
>>University, USA Myrian Desainte-Catherine, University of Bordeaux, France
>>Simon Emmerson, City University, UK Carole Gubernikoff, University of Rio
>>de Janeiro, Brazil Fabio Kon, University of Illinois at Urbana-Champaign,
>>USA Leigh Landy, De Montfort University, UK Victor Lazzarini, National
>>University of Ireland, Eire Peter Manning, University of Durham, UK Jonatas
>>Manzolli, State University of Campinas, Brazil Eduardo Miranda, Lamesm,
>>Federal University of Santa Maria, Brazil, and Sony CSL-Paris, France Axel
>>Mulder, Infusion Systems Ltd., Canada Richard Orton, University of York, UK
>>Carlos Palombini, *Chair*, Federal University of Pernambuco, Brazil Geber
>>Ramalho, Federal University of Pernambuco, Brazil Alistair Riddell,
>>Queensland University of Technology, Australia Steve Sweeney-Turner,
>>University of Leeds, UK Rick Taube, University of Illinois at
>>Urbana-Champaign, USA Petri Toiviainen, University of Jyvaskyla, Finland
>>Barry Truax, Simon Fraser University, Canada Mirjana Veselinovic-Hofman,
>>Belgrade University of Arts, Yugoslavia Marcelo M. Wanderley, IRCAM ---
>>Centre Georges Pompidou, France Luke Windsor, University of Leeds, UK
>>*submission of compositions* The Seventh Brazilian Symposium on Computer
>>Music will seek to highlight the variety of musical styles that come under
>>the computer music heading. Submissions are invited from composers working
>>in all genres within the field. Formats are as follows: [1] music for
>>tape, 2 to 8 channels; [2] music for tape or live-electronics with vocal
>>and/or instrumental parts; [3] algorithmic composition, vocal and/or
>>instrumental. For [1] send DAT or CD. For [2] send DAT or CD recording of
>>the electronic part plus full score and, if at all possible, a recording of
>>the full piece. For [3] send DAT or CD plus full score. Submission must
>>include: --- one copy of a brief programme note (10 to 15 lines in
>>English, Portuguese or Spanish); --- one copy of a short biography (10 to
>>15 lines in English, Portuguese or Spanish); --- three copies of all music
>>materials (CDs, DATs and scores). Please post submissions by air mail to
>>the Chair, Fernando Iazzetta, to whom enquiries may be addressed:
>>iazzetta at usp.br. Fernando Iazzetta USP - ECA - Dpto. Musica Rua da Antiga
>>Reitoria, S/N 05508-900 - Sao Paulo - SP Brazil Please, note: --- pieces
>>not exceeding 12 minutes are preferred; --- compositions must have been
>>created no earlier than in 1997; --- although we cannot guarantee
>>execution of pieces that involve vocal or instrumental forces or that bring
>>extra costs to the event, we shall do our best to work out a solution in
>>consultation with the authors; --- pieces for more than 2 channels require
>>that the submission of a stereo DAT or CD be followed, if selected, by the
>>multi-track tape. --- submissions will be deposited in the symposia
>>archive and will not be returned; --- up to 2 different works may be
>>submitted by composer. *committee of compositions*: Miguel Azguime,
>>Portugal Francoise Barriere, France Rodolfo Caesar, Brazil Carlos Cerana,
>>Argentina Paulo Chagas, Brazil/Germany Silvio Ferraz, Brazil Denise Garcia,
>>Brazil Fernando Iazzetta, *Chair*, Brazil Paul Lansky, USA Emmanuelle
>>Loubet, Japan/Germany Wilson Sukorski, Brazil *tutorials and product
>>demonstrations* Please contact Conrado Silva: conrado at unb.br Conrado
>>Silva Universidade de Brasilia Colina Bl. E Ap. 602 70910-900 Brasilia DF
>>BRASIL tel. +55 61 349-8978 fax +55 61 349-0757 For updated information
>>please visit the Symposium website
>>http://www.eca.usp.br/nucleos/lami/nucom/sbcm2000.html PLEASE FORWARD AT
>>YOUR DISCRETION
>
>--
>Prof. Dr. Bernd Enders
>
>Universität Osnabrück
>Forschungsstelle Musik- und Medientechnologie
>Schloß, Neuer Graben, D-49069 Osnabrück
>
>http://www.fmt.uni-osnabrueck.de
>
>TEL (+)541/969-4147
>FAX (+)541/969-4775
>
>e-mail: Bernd.Enders at uni-osnabrueck.de
>http://www.musik.uni-osnabrueck.de/lehrende/enders
>
>TEL/FAX priv. (+)541/53176
>--------------
>