From G.Kreutz at em.uni-frankfurt.de Fri Oct 15 11:42:53 1999 From: G.Kreutz at em.uni-frankfurt.de (Dr. Gunter Kreutz) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Scanner/Texterkennung Message-ID: <3806F713.BE163355@em.uni-frankfurt.de> Hallo Liste, Wer hat einen Tip: Wir suchen eine preiswerte/leistungsfaehige Kombination von Scanner/Texterkennungssoftware fuer den PC. Vielen Dank & freundliche Gruesse, Gunter Kreutz P.S. Da kuerzlich hier eine Anfrage zur Datenverarbeitung mit Digitalkameras umging, vermute ich mal, dass auch mit Bezug auf Texterkennung einige Kundige diese Liste lesen! -- _______________________________ Dr. Gunter Kreutz Institut f. Musikpaedagogik JWG-Universitaet Frankfurt Sophienstr. 1-3 D-60487 Frankfurt/M. Tel.: +49 (069) 798-23778 Fax: +49 (069) 798-28929 Imehl: G.Kreutz@em.uni-frankfurt.de priv.: Ginnheimerstr.12 D-60487 Frankfurt/M. Tel.: +49 (069) 707 94594 From Bernd.Enders at uni-osnabrueck.de Tue Oct 19 10:26:09 1999 From: Bernd.Enders at uni-osnabrueck.de (Bernd Enders) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Musik & Politik Message-ID: <3.0.3.32.19991019102609.007ae990@mail.rz.uni-osnabrueck.de> >From: "Jan Hemming" >Organization: Universitaet Bremen >To: muwispektrum@CoLi.Uni-SB.DE >Date: Tue, 19 Oct 1999 01:09:20 +0100 >Comments: Sender has elected to use 8-bit data in this message. > If problems arise, refer to postmaster at sender's site. >Subject: Musik & Politik >Reply-to: jan.hemming@uni-bremen.de >X-mailer: Pegasus Mail for Win32 (v3.12a) >Sender: owner-muwispektrum@CoLi.Uni-SB.DE > >Liebe Liste, > >heute, am Di, den 19.10. findet von 18ct-20 Uhr die erste Sitzung meines >Online-Seminars "Musik & Politik" statt. Die Veranstaltung wird silmultan an >den Universitäten in Bremen, Lüneburg und Oldenburg abgehalten und >richtet sich - was den Scheinerwerb betrifft - primär an die dortigen >Studierenden. Allerdings steht sie auch anderen Interessierten zur Online- >Teilnahme offen, Informationen zum Inhalt finden sich unter: > >http://www1.uni-bremen.de/~hemming/lv/politik.html > >Es ist an eine traditionelle Seminarstruktur mit Referaten gedacht, die mit >Live-Bild und -Ton übertragen werden sollen (RealPlayer G2), während >gleichzeitig und vor allem im Anschluss per IRC diskutiert werden kann. Mit >dieser Technik haben wir während des vergangenen DVSM-Symposiums >sehr gute Erfahrungen gemacht. > >Am an der Einführung teilzunehmen, können sie mit den RealPlayer >folgende Adresse öffnen: > >rtsp://134.102.48.129/seminar.rm >(alternativ, bei Problemen: rtsp://134.102.48.104/seminar.rm) > >und parallel dazu folgende Internetseite aufrufen, um in den Chatroom zu >gelangen: > >http://bird.musik.uni-osnabrueck.de:8888/ > >Diese Ankündigung ist etwas kurzfristig. Selbstverständlich können sie auch >noch später einsteigen, der nächste Termin ist der 2.11., danach geht es im >Wochenrhythmus weiter. > >Viele Grüße > >* Jan Hemming M.A. >* Universitaet Bremen >* FB 9 (Musik) >* Postfach 330440 >* 28334 Bremen >* Deutschland / Germany >* fon: +49 421 218 9024 >* fax: +49 412 218 7380 >* e-mail: jan.hemming@uni-bremen.de >* http://www1.uni-bremen.de/~hemming/ > -- Prof. Dr. Bernd Enders Universität Osnabrück Forschungsstelle Musik- und Medientechnologie Schloß, Neuer Graben, D-49069 Osnabrück http://www.fmt.uni-osnabrueck.de TEL (+)541/969-4147 FAX (+)541/969-4775 e-mail: Bernd.Enders@uni-osnabrueck.de http://www.musik.uni-osnabrueck.de/lehrende/enders TEL/FAX priv. (+)541/53176 -------------- From Bernd.Enders at uni-osnabrueck.de Sun Oct 24 15:03:03 1999 From: Bernd.Enders at uni-osnabrueck.de (Bernd Enders) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: VII SBCM Message-ID: <3.0.3.32.19991024150303.007b3840@mail.rz.uni-osnabrueck.de> >From: "BERNADETE ZAGONEL" >To: "Jorge Aguiar" >Subject: VII SBCM >Date: Sun, 24 Oct 1999 00:53:40 -0200 >X-MSMail-Priority: Normal >X-Mailer: Microsoft Outlook Express 4.72.3110.1 >X-MimeOLE: Produced By Microsoft MimeOLE V4.72.3110.3 >Sender: owner-cecdiscuss@concordia.ca >Reply-To: cecdiscuss@concordia.ca > > ******** VII Brazilian >Symposium on Computer Music ******** ******************** 17--20 July >2000 ******************** *********************** Brazil >*********************** PRELIMINARY CALL >FOR PAPERS, COMPOSITIONS, TUTORIALS AND > PRODUCT DEMONSTRATIONS The Sixth Brazilian Symposium on >Computer Music saw researchers from various countries discussing their >experiences in a friendly and informal atmosphere. The Seventh Brazilian >Symposium, chaired by Bernadete Zagonel (bzagonel@humanas.ufpr.br) , will >be held in Curitiba, the capital of the Parana state, from 17 to 20 July >2000. The Brazilian Symposia are organized by NUCOM, the computer music >branch of the Brazilian Computing Society and pride themselves on their >intercultural nature and selection policies. Roger Dannenberg (USA) and >Leigh Landy (UK) will deliver the keynote speeches. There will be paper >presentations, concerts, tutorials and product demonstrations. Researchers, >composers, educators, manufactures and all concerned with the interplay >between music and technology are invited to submit papers, compositions, >tutorial projects and product demonstration proposals. *important dates* >--- 25 February 2000 --- closing date for postage of compositions --- 3 >March 2000 --- closing date for postage of papers, tutorials and product >demonstration proposals --- 31 March 2000 --- notification of acceptance of >papers --- 21 April 2000 --- notification of acceptance of compositions, >tutorials and product demonstration proposals --- 21 April 2000 --- closing >date for camera-ready papers *submission of papers* Topics of interest >include, but are not limited to: Acoustics, Diffusion, Sonorization >Artificial Life and Evolutionary Music Systems Audio Hardware Design Audio >Signal Processing Computer Aided Musical Education Computer Aided Music >Analysis Computer-Aided Musicology Internet Applications Multimedia >Integration Music Data Structures and Representation Music Notation, >Printing and Optical Recognition The Musicologies of Digital Musics >Psychoacoustics and Cognitive Modelling Real-time Interactive Systems Sound >Synthesis Systems and Languages for Composition This year we are giving >particular emphasis to the musicologies (historical, systematic, ethno, >critical etc) of digital musics (computer music, electroacoustic music, >soundscape, techno etc.). Papers reporting ongoing or concluded research >should be submitted in a preliminary version of no more than 8 pages (Times >Roman 12 and 1.5 interline space). Please state clearly in the front page >which of the above headings, if any, best describes your subject matter. >Preliminary submissions in Portuguese will be accepted on the understanding >that their authors will undertake to present the final version in English. >You are kindly requested not to reveal your identity in your paper (avoid >self reference etc.). Please send MS Word 97 compatible files as e.-mail >attachments to the Chairs, Aluizio Arcela *and* Carlos Palombini: >arcela@cic.unb.br and palombini@usa.net. By agreement with the Editors, a >selection of musicological papers will be published online in the >*Electronic Musicological Review* and the *Critical Musicology Journal*, as >appropriate. Since online publication is likely in all areas, authors are >encouraged to take advantage of hypertext facilities. *committee of papers >* Aluizio Arcela, *Chair*, University of Brasilia, Brazil Daniel Arfib, >CNRS-LMA, Marseille, France Peter Beyls, St Lukas Art School, Belgium >Georgina Born, Emmanuel College, University of Cambridge, UK Moisei Boroda, >German Association of Musicians, Germany Marcio Brandao, University of >Edinburgh, UK Antonio Camurri, University of Genoa, Italy Furio Damiani, >State University of Campinas, Brazil Roger Dannenberg, Carnegie Mellon >University, USA Myrian Desainte-Catherine, University of Bordeaux, France >Simon Emmerson, City University, UK Carole Gubernikoff, University of Rio >de Janeiro, Brazil Fabio Kon, University of Illinois at Urbana-Champaign, >USA Leigh Landy, De Montfort University, UK Victor Lazzarini, National >University of Ireland, Eire Peter Manning, University of Durham, UK Jonatas >Manzolli, State University of Campinas, Brazil Eduardo Miranda, Lamesm, >Federal University of Santa Maria, Brazil, and Sony CSL-Paris, France Axel >Mulder, Infusion Systems Ltd., Canada Richard Orton, University of York, UK >Carlos Palombini, *Chair*, Federal University of Pernambuco, Brazil Geber >Ramalho, Federal University of Pernambuco, Brazil Alistair Riddell, >Queensland University of Technology, Australia Steve Sweeney-Turner, >University of Leeds, UK Rick Taube, University of Illinois at >Urbana-Champaign, USA Petri Toiviainen, University of Jyvaskyla, Finland >Barry Truax, Simon Fraser University, Canada Mirjana Veselinovic-Hofman, >Belgrade University of Arts, Yugoslavia Marcelo M. Wanderley, IRCAM --- >Centre Georges Pompidou, France Luke Windsor, University of Leeds, UK >*submission of compositions* The Seventh Brazilian Symposium on Computer >Music will seek to highlight the variety of musical styles that come under >the computer music heading. Submissions are invited from composers working >in all genres within the field. Formats are as follows: [1] music for >tape, 2 to 8 channels; [2] music for tape or live-electronics with vocal >and/or instrumental parts; [3] algorithmic composition, vocal and/or >instrumental. For [1] send DAT or CD. For [2] send DAT or CD recording of >the electronic part plus full score and, if at all possible, a recording of >the full piece. For [3] send DAT or CD plus full score. Submission must >include: --- one copy of a brief programme note (10 to 15 lines in >English, Portuguese or Spanish); --- one copy of a short biography (10 to >15 lines in English, Portuguese or Spanish); --- three copies of all music >materials (CDs, DATs and scores). Please post submissions by air mail to >the Chair, Fernando Iazzetta, to whom enquiries may be addressed: >iazzetta@usp.br. Fernando Iazzetta USP - ECA - Dpto. Musica Rua da Antiga >Reitoria, S/N 05508-900 - Sao Paulo - SP Brazil Please, note: --- pieces >not exceeding 12 minutes are preferred; --- compositions must have been >created no earlier than in 1997; --- although we cannot guarantee >execution of pieces that involve vocal or instrumental forces or that bring >extra costs to the event, we shall do our best to work out a solution in >consultation with the authors; --- pieces for more than 2 channels require >that the submission of a stereo DAT or CD be followed, if selected, by the >multi-track tape. --- submissions will be deposited in the symposia >archive and will not be returned; --- up to 2 different works may be >submitted by composer. *committee of compositions*: Miguel Azguime, >Portugal Francoise Barriere, France Rodolfo Caesar, Brazil Carlos Cerana, >Argentina Paulo Chagas, Brazil/Germany Silvio Ferraz, Brazil Denise Garcia, >Brazil Fernando Iazzetta, *Chair*, Brazil Paul Lansky, USA Emmanuelle >Loubet, Japan/Germany Wilson Sukorski, Brazil *tutorials and product >demonstrations* Please contact Conrado Silva: conrado@unb.br Conrado >Silva Universidade de Brasilia Colina Bl. E Ap. 602 70910-900 Brasilia DF >BRASIL tel. +55 61 349-8978 fax +55 61 349-0757 For updated information >please visit the Symposium website >http://www.eca.usp.br/nucleos/lami/nucom/sbcm2000.html PLEASE FORWARD AT >YOUR DISCRETION -- Prof. Dr. Bernd Enders Universität Osnabrück Forschungsstelle Musik- und Medientechnologie Schloß, Neuer Graben, D-49069 Osnabrück http://www.fmt.uni-osnabrueck.de TEL (+)541/969-4147 FAX (+)541/969-4775 e-mail: Bernd.Enders@uni-osnabrueck.de http://www.musik.uni-osnabrueck.de/lehrende/enders TEL/FAX priv. (+)541/53176 -------------- From zey at coli.uni-sb.de Mon Oct 25 18:31:38 1999 From: zey at coli.uni-sb.de (Claudia Zey) Date: Fri Jun 1 15:36:50 2007 Subject: [MWS]: Ms-Office Paket 4.3 (fwd) Message-ID: Liebe Liste, nach einem Virenbefall, iss zwar der Virus an meinem Rechner weg, dafür aber auch meine Festplatte neu formatiert und ziemlich leer. Was ich dringend suche und was anscheinend schwer zu bekommen ist, ist das MS Office Paket für windows 3.11. Hat jemand vielleicht so etwas in seinem Fundus rumfliegen und braucht es nicht mehr und könnte es mir veräussern? Es ist wirklich dringend. Herzliche Grüsse Claudia Maria Zey ****************************************************************************** Man preist den dramatischen Dichter, der es versteht, Traenen zu entlocken. - Dies Talent hat auch die kuemmerlichste Zwiebel, mit dieser teilt es seinen Ruhm. Heine ****************************************************************************** Claudia Zey e-mail: zey@coli.uni-sb.de PhD. Student fax: +49 681/ 302 4684 Department of Musicology phone:+49 681/ 302 4691(Uni) University of the Saarland +49 681/ 67912 (Home) Germany http://www.coli.uni-sb.de/~zey MuWiSpektrum Mailingliste fuer Musikwissenschaftler, Musikinformatiker, Musikpaedagogen, Komponisten, Journalisten und Musikinteressierte http://www.coli.uni-sb.de/~zey/MuWiSpektrum.html