From LeighLandy at aol.com Wed Jul 4 21:27:59 2001 From: LeighLandy at aol.com (LeighLandy@aol.com) Date: Fri Jun 1 15:36:43 2007 Subject: [MWS]: Call for papers Message-ID: <98.17201470.2874c83f@aol.com> Organised Sound An International Journal of Music and Technology Call for articles and works Volume 7, Number 1 Issue thematic title: Soundscape Composition Date of Publication: April 2002 Publishers: Cambridge University Press We invite submissions from soundscape researchers, theoreticians and composers for this special issue on Soundscape Composition. Submissions may consist of papers, short soundscape pieces or excerpts, and/or soundscape-oriented audio-visual artworks. Andra McCartney (Concordia University, Montreal, andra@vax2.concordia.ca) will be the issue co-ordinator. Because we wish to focus on soundscape composition, we ask that articles focus directly on related issues. For example, histories of soundscape composition; approaches to location recording and sound gathering; reflections on political, philosophical and sonic challenges of soundscape recording situations; methods, techniques and philosophies of studio composition; public listener reception of soundscape works and related social and political issues; critical reviews of soundscape compositions. Deadline for submissions is December 1, 2001. Audio and audio-visual material will be presented as part of our annual CD-ROM which will appear with issue 7/3. The editors, as always, welcome submissions that fall outside of the scope of this issue?s theme. ------------------------------------------------------------------------------ ----------- SUBMISSION DEADLINE: 1 December 2001 SUBMISSION FORMAT Notes for Contributors/further details can be obtained from the inside back cover of published issues of Organised Sound or from: http://uk.cambridge.org/journals/oso/ TIMETABLE for SUBMISSIONS Hard copy of articles and other material should be submitted to: The Editors Organised Sound Centre for Technology and the Arts Clephan Building De Montfort University Leicester LE1 9BH, UK. Email submissions should be mailed to (please see SUBMISSION FORMAT above): os@cage.york.ac.uk Editors: Leigh Landy and Tony Myatt. Associate Editors: Ross Kirk and Richard Orton Regional Editors: Cort Lippe, Eduardo Miranda, Shimoda Nobuhisa, Jøran Rudi, Barry Truax, Ian Whalley, David Worrall ICMA Representative: Mary Simoni International Editorial Board: Marc Battier, Laurant Bayle, Allesandro Cipriani, Francis Dhomont, Simon Emmerson, Rajmil Fischman, David Howard, Miller Puckette, Jean-Claude Risset, Francis Rumsey, Trevor Wishart From Andrea.Schienbein at erziehung.uni-giessen.de Mon Jul 9 13:58:30 2001 From: Andrea.Schienbein at erziehung.uni-giessen.de (Andrea Schienbein) Date: Fri Jun 1 15:36:43 2007 Subject: [MWS]: Examensarbeit Message-ID: Sehr geehrte Damen und Herren, im Rahmen meiner Zulassungsarbeit für das 1. Staatsexamen untersuche ich verschiedene Gehörbildungsprogramme. Daher würde mich u.a. interessieren, ob es neuere Studien zur Effektivität von Gehörbildungsprogrammen (im Vergleich zum herkömmlichen Unterricht) gibt. Für Hinweise wäre ich sehr dankbar. A. Schienbein From cast01 at netzspannung.org Tue Jul 17 18:14:07 2001 From: cast01 at netzspannung.org (cast01@netzspannung.org) Date: Fri Jun 1 15:36:43 2007 Subject: [MWS]: cast01 // open for registration Message-ID: <1846124.995386447313.JavaMail.root@cat1.netzspannung.org> cast01 // living in mixed realities is open for registration now! http://netzspannung.org/cast01 September 21-22, 2001 // Schloss Birlinghoven // Sankt Augustin near Bonn // Germany Dear friends and colleagues! We invite you to participate in the cast01 conference discussing intersections of artistic, cultural, technological and scientific issues of: Living in Mixed Realities cast01 demonstrates outstanding examples of research, technological development and artistic production in the form of research papers and artistic presentations as well as blueprints and posters about ideas still under development. Internationally well known keynote speakers like Roy Ascott, Bill Buxton, Manfred Faßler, Perry Hoberman, Natalie Jeremijenko will navigate you through the two-days field of inspiring new concepts in the ambience of Birlinghoven castle in Sankt Augustin near Bonn, Germany. Highlights of the conference are the launch of the Internet platform for media art and culture "netzspannung.org" and the initiative >digital sparks< presenting current projects of German media education. The cast01 Conference team wants you to be part of "Living in Mixed Realities". Registration for cast01 has already started. There is a limited number of seats. Register online: http://netzspannung.org/cast01 Registration by fax: http://netzspannung.org/cast01/cast01_register.pdf Please make use of the early registration deadline (August 15, 2001) to benefit from lower fee. Basis conference fee: Until August 15, 2001 350.- DM (178.95 EURO) >From August 16, 2001 500.- DM (255.65 EURO) (Students) Until August 15, 2001 100.- DM (51.13 EURO) >From August 16, 2001 150.- DM (76.69 EURO) For more information about the program, the speakers, the registration conditions and the location, please visit the conference website http://netzspannung.org/cast01 or contact us: cast01@netzspannung.org We are looking forward to seeing you at the cast01 conference! Monika Fleischmann & Wolfgang Strauss cast01 Conference Chairs From richard.parncutt at kfunigraz.ac.at Tue Jul 24 12:35:31 2001 From: richard.parncutt at kfunigraz.ac.at (Richard Parncutt) Date: Fri Jun 1 15:36:43 2007 Subject: [MWS]: ICMPC7: Art meets Science Message-ID: <3B5D4F6D.D38CDA40@kfunigraz.ac.at> Call for papers (Please excuse cross-postings) ART MEETS SCIENCE: Collaboration between music theorists and music psychologists Session coordinators: Richard Parncutt and Steve Larson Those who attended "Toronto 2000: Musical Intersections" (November 1-5, 2000) may remember a well-attended session with the above title and the following program: Richard Parncutt and Roland Eberlein: Perceptual vs Historical Origins of Musical Materials Eric Clarke and Julian Johnson: Musical Materials and Social Meanings Nicola Dibben and Alexandra Lamont: Thematic Variation and Cognitive Similarity Leigh VanHandel and Steve Larson: Measuring Musical Forces Joshua Fineberg, Carol Krumhansl, and Fred Lerdahl: Modeling Tension and Attraction As we announced at that time, we plan to continue the session with the same title and general approach at the 7th International Conference on Music Perception & Cognition (ICMPC7), Sydney, July 17-21, 2002, http://www.icmpc.org/. The session fits well with ICMPC7's stated focus on "inter-disciplinary presentations, discussion and dissemination of new research relating to music perception and cognition". It also fits with their aim of "encouraging symposia at ICMPC7 particularly on new intersections of research interests." The deadline for paper and symposia submissions to ICMPC7 is November 15, 2001. If you would like to present your work within the "Art meets science" symposium, we ask you to send us your abstract at least one month before that deadline, i.e. by OCTOBER 15, 2001. This will give us time to decide which submissions to include, whether to include a discussant (and if so who), and to write an abstract for the entire symposium including the rationale for the topic and the aims of the symposium. If it turns out that your paper cannot be included in this symposium, we will tell you well in advance of the October 15 deadline so that you have time to submit your paper to the conference independently. We are immodest enough to suggest that our comments could help your abstract to be accepted in this second stage -- so if you are planning a contribution to the conference that somehow combines music theory and music psychology, please submit it to us first, even if you are not sure whether you would like to present it within our session or independently. Please send an email to both session coordinators simultaneously (parncutt@uni-graz.at, steve@darkwing.uoregon.edu) with the following information in the body of the email (preferably not as an attachment): 1. For each author: name, affiliation, postal and email address, phone, fax, website, and a 100-word resume of relevant research and publications (to help us evaluate your proposal) 2. Title of 5-10 words 3. A concise text of 250-300 words. Please conform to the following conference guideline: "Your abstract should be structured with headings. For empirical papers, the headings will include 1. Background 2. Aims 3. Method 4. Results 5. Conclusions. 6. Topic Areas. For theoretical/review papers, headings will include 1. Background 2. Aims 3. Main Contribution 4. Implications. 5. Topic Areas." 4. A list of up to five key words. Feel free to include references, but remember that the conference guidelines require us to remove references when submitting the symposium proposal. Of course that does not apply to the longer written version of your paper, for which the deadline will be March 1, 2002. As in Toronto, the aim of the Sydney session will be to generate original insights in music theory and analysis through collaboration between scientists and artists. Each paper in the session will have DUAL AUTHORSHIP, whereby one author is a music theorist (or an academic whose primary qualifications and publications are in the domain of the arts) and the other a music psychologist (or an academic whose primary qualifications and publications are in the domain of the natural sciences). Cross-disciplinary match-making service: Scholars seeking academic partners for the above session are encouraged to email Richard Parncutt by 15 September 2001 with the following information: name, affiliation, contact details (address, email, tel, fax, website), about 50 words on the research you would like to present, and about 50 words on your other relevant research and publications. All information received in this format will be compiled into a single document and returned to all respondents by email in late September. Note that this information will only be available only to those who contribute to it and to the session coordinators. We look forward to hearing from you! Richard Parncutt Associate Professor of Systematic Musicology Mozartgasse 3, 8010 Graz, Austria Tel +43 316 380-2409; Fax -9755 Email parncutt@uni-graz.at www-gewi.uni-graz.at/muwi/ Steve Larson office: (541) 346-5651 Associate Professor of Music fax: (541) 346-0723 University of Oregon home: (541) 485-9534 School of Music 1225 University of Oregon steve@darkwing.uoregon.edu Eugene, OR 97403-1225 http://music1.uoregon.edu/About/bios/larsons.html