From mensch at bigfoot.com Sun Jan 13 12:00:03 2002 From: mensch at bigfoot.com (Heiner Klug) Date: Fri Jun 1 15:36:44 2007 Subject: [MWS]: Ein Computer ist ein Musikinstrument In-Reply-To: <2244620.1008189096@localhost> Message-ID: Nun wissen es auch die ZEIT-Leser: http://www.zeit.de/2002/03/synthesizer Titelzeile: "Orchester aus der Dose Normale Heimcomputer ersetzen schwere Synthesizer und ganze Tonstudios. Eine neue Ära der Laienmusik hat begonnen." Gruß aus Düsseldorf Heiner Klug http://www.art-live.de From bernd.enders at uos.de Mon Jan 21 12:57:37 2002 From: bernd.enders at uos.de (Bernd Enders) Date: Fri Jun 1 15:36:44 2007 Subject: [MWS]: (fwd) Message-ID: <16994983.1011617857@localhost> ---------- Forwarded Message ---------- Date: Samstag, 19. Januar 2002 19:22 -0500 From: Lawrence Fritts To: SEAMUS-L@listserv.lsu.edu, Csound@lists.bath.ac.uk, CEC Discuss , ICMA List Subject: Dear Colleagues: The National Conference of the Society for Electro-Acoustic Music in the United States (SEAMUS), "Intersections in Sound," will be held April 4-6, 2002 at the University of Iowa in Iowa City, Iowa. In concerts and research sessions, intersections between aesthetic approaches, compositional media, historical and developing technologies, and electro-acoustic composition and performance will be explored. The conference chair is Lawrence Fritts, Director of the Electronic Music Studios at the University of Iowa. Pioneering electronic instrument designer Don Buchla is this year's recipient of the SEAMUS Lifetime Achievement Award. Mr. Buchla will discuss his recent research and will perform in a concert featuring early and recent works on original instruments and new controllers. The guest composer for the conference is Denis Smalley. He will present his work Base Metals and will participate in a panel discussion comparing recent aesthetics and approaches to electro-acoustic composition between European and American composers. Last year's ASCAP/SEAMUS Student Commission Competition winners Kristi McGarity and Suk-Jun Kim will premiere their commissioned works during the conference. The music of current finalists Konstantinos Karathanasis, Luis Maurette, Tae Hong Park, and Noel R. Paul will also be presented as part of this year's competition. 12 concerts of electro-acoustic works for tape, live electronics, video, instruments, voice, and dance will be presented on 16-channel surround sound systems. Featured ensembles include the Center for New Music and the University Symphony Orchestra. 12 Paper, Panel, and Curated Presentation sessions will be held on a range of topics in electro-acoustic composition, research, and performance. For registration, hotel accomodations, conference information, and schedule of events, please go to: http://seamus2002.music.uiowa.edu/. Cordially, Lawrence Fritts SEAMUS 2002Conference Chair School of Music University of Iowa music-seamus2002@uiowa.edu http://seamus2002.music.uiowa.edu ---------- End Forwarded Message ---------- Prof. Dr. Bernd Enders Forschungsstelle Musik- u. Medientechnologie Universität Osnabrück www.musik.uni-osnabrueck.de/lehrende/enders From info at stelkens.de Tue Jan 22 20:53:04 2002 From: info at stelkens.de (Stelkens) Date: Fri Jun 1 15:36:44 2007 Subject: [MWS]: I'll start a live crusher-X tutorial in the newsgroup! Message-ID: <5.0.2.1.1.20020122205301.021829a0@post.strato.de> Dear friends of good sound, it seems that the new crusherX-Live 2.40 version is stable and the most people are satisfied with the new features. So i have a little more time to promote the new created crusher-X newsgroup (you may like to subscibe at http://groups.yahoo.com/group/crusherx). I decided to write the next weeks in this newsgroup a tutorial how to use the crusher to create extreme sounds! Starting the next days i like to give the subscribed people an overview about the features and a detailed description of the crusher-X functions. The subscribed people will have access to a file-area with demo-files that illustrates the current tutorials step. And i would be very happy we come into a discussion about this very special sound synthesis field. And this will be the tutorials topics: *** HOW TO START *** - How to install that beast and how to solve installation problems - Talk about ASIO, DirectX, MIDI, VST and all that Device stuff (may be that take some time;-) - We will diskuss a little about optimizing your Audio-Setting - Take a quick look at the Option Dialog - Starting the Engine the first time: Hear the first crusher Sound *** THE STRUCTURE *** - A little walk over the interface and windows, turn some knobs, listen to the output - Explaining the crushers top level structure. Understanding the DSP-Window - Experiment with the Sampler - The DCO: The Source! - The Mixer and how to manage Live-Input - Understanding the IO and File-Window - The Recording Panel - What the morphing feature really does ++++++++++++++++++++ 1st Call for Sounds: Create your own unique sound (people can present their crusher-sheets in the file-area) *** ALL ABOUT THE VAPOR *** - The crushers Heart: Explaining the vapor modulations: - Length/Pause/Delay - Speed/Direction - Volume/Pan - Filter - What the hell is the cloud-modulation? How to use it. - Understanding the cloud-Window - Morphing and the Vapor ++++++++++++++++++++ 2st Call for Sounds: Create your own unique sound (people can present their crusher-sheets in the file-area) *** THE BUFFER *** - Some talk about the buffer, buffersize - Why using different windows? - Trigger the buffer manual and automatic - Morphing and the Buffer *** HOW TO HANDLE SOUND *** - Create Feedbacks - The Limiter - The Stereo-Booster ++++++++++++++++++++ 3st Call for Sounds: Create your own unic sound (people can present their crusher-sheets in the file-area) *** HOW TO CONTROL THE BEAST *** - Using the Physical Model Field - Using the Loadlist - Morphing and the Loadlist, some special cases! - Using MIDI - Shake your body: How to use Force-Feedback-Devices - Randomize It! Creating sounds on the fly! *** FURTHER DISCUSSIONS *** - Setup a multichannel environment - Setup a sound installation - Setup a sequencer environment ++++++++++++++++++++ Last Call for Sounds: This will be a little contest. People can vote their best crusher-sound of the year 2002 ;-) And if you have still questions and ideas the discussion will going on and on and on... So if you don´t want to miss the lections, please subscribe now to http://groups.yahoo.com/group/crusherx We will start the next days! Hope that will bring us together and to a new understanding of sound and music. And you may already know: It^Òs more than sound, it^Òs more than music, it^Òs really fun! Best wishes Joerg P.S. If you feel something is missing in the topics, please start discussion! P.P.S. And please forgive my poor english! --CONTACT:------------------------------ - - - Joerg Stelkens (Dipl.-Ing.) - - - - buero muenchen - - Kunst- Klang und Medienproduktionen - - in der [alten conditorei] - - Adlzreiterstr. 14 - - 80337 Munich - - Germany - - - - mail: bs-muenchen@stelkens.de - - info: info@stelkens.de - - privat: joerg@stelkens.de - - - - buero: 0049-(0)89/76755804 - - fax: 0049-(0)89/74747859 - - mobil: 0049-(0)162/7029409 - - - - current projects: - - http://www.stelkens.de - - http://www.syncMaker.com - - http://www.crusher-x.de - - http://www.crusher-x.com - - http://www.t-u-b-e.de - - - - coming soon: - - http://www.synthcam.com - - http://www.virtual-theremin.com - - http://www.synthresearch.com - - http://www.synthresearch.de - - - ---------------------------------------- From dh at newsic.de Sun Jan 27 15:20:42 2002 From: dh at newsic.de (dh@newsic.de) Date: Fri Jun 1 15:36:44 2007 Subject: [MWS]: \'TATORT\': 1.02.2002, 21:00 h, Hedah Video Festival Maastricht Message-ID: <20020127142042.381.qmail@usware.net> HERZLICHE EINLADUNG zur Aufführung von "TATORT" ein Film von Anke Schäfer im Rahmen von Hedah Video Festival -02 'Ter Plekke...' in Maastricht Freitag, 1. Februar ab 21 Uhr im HEDAH Ausstellungsraum Brusselsestraat 114 (Nähe Emmaplein) Maastricht / Niederlande (von Aachen ca. 30 km) Eintritt frei Tel: +49- (0)177 - 30 53 861 oder +31-43-34 36 149 email: tatort@smokkel.org INFO TATORT Deutschland, Niederlande 2001, 30 Min., Konzept, Produktion, Regie, Schnitt: Anke Schäfer Kamera: Jutta Tränkle, Justyna Feicht, Susumo Mijazu Filmcatering: Global Cooking Company, Rotterdam Musik Vor- und Nachspann: Dorothée Hahne Deutsch / Englisch / Niederländisch / Japanisch Englisch untertitelt DV / BetaSP ^ÑTATORT^Ò ist ein Film über einen Filmdreh in Köln. Über eine Ausschreibung in Deutschland, Belgien und den Niederlanden wurde dazu eingeladen, am 25. März 2000 in sechs Stunden, von 14 bis 20 Uhr, ein delikates Filmcatering-Menü in vier Szenen zu geniessen. Gewissermaßen war der Filmdreh ein Vorwand, um städtischen Raum in Beschlag zu nehmen. Der Ort war ein Drehort der bekannten WDR/ARD Fernsehserie ^ÑTatort^Ò: die Straßenecke Gereonswall / Hamburgerstraße, wo Kommissar Ballauf in einem Hotel lebt. Anke Schäfer hatte sich als Fotojournalistin einer niederländischen Kunstzeitung bei den Drehaufnahmen der Fernsehserie eingeschmuggelt. - Die Gäste von ihrem nachinszenierten ^ÑTATORT^Ñ wissen von all dem nichts. Sie werden als Mitglieder der Filmcrew eingesetzt und geniessen das Filmcatering. Ihre Erinnerungen - Monate danach in Interviews erfragt - gestalten im Off die Suche, was eigentlich am Drehort als Tatort geschehen ist. Der Film ^ÑTATORT^Ò ist ein Experiment über Erinnerung, und wie Geschichten gerade auch aus den Lücken der Erinnerung entstehen. Diese Untersuchung spiegelt sich in dem Zwischenspiel von ^ÑSnapshots^Ò, den unablässigen Aufnahmen zweier DV-Kameras und den inszenierten 16mm Filmszenen, die gerade durch ihre Inszeniertheit an das Bedürfnis nach Geschichten erinnern, die vom Weglassen leben. In den Rollen als Kommissar: Diethard Budnick, Wapke Feenstra, Jovita Kröger Polaroid Fotografin: Thea Djordjatze Absperrer: Matthias Haubner, Désirée Palmen, Heike Weber, Annette Wesseling Beleuchter: Marcello Bussen, Yves-Alain Corandi, Frederik Horst, Christiane Krumwiede, Jürgen Salm, Hans-Peter Scharlach, Bernhard Seiler, Rudolf Teunissen Statisten: Yukako Ando, Henk Berghauser Pont, Christina Della Giustina, Ines Den Rooijen, Mique Eggermont, Risk Hazekamp, Ronald Huygen, Petra Kaiser, Alice Koegel, Kitty van Loo, Sabine Oelze, Renate Puvogel, Angelique Raeven, Liesbeth Raeven, Sophie Schmalrieder, Marion Schneiders, Susanne Titz und viele Passanten Kostümbildner: Walter Brix Stylistin: Birgitta van Drie Regieassistentin: Anke Diehring Klappengirl: Silke Birkholz Script Girl: Marion Kranen Filmcatering Köche: Global Cooking Company mit Wessel Holleman, Dagmar Bergmann Kamerafrau / Kameramann: Jutta Tränkle, Justyna Feicht, Susumo Mijazu Aufnahmeleiterin: Karin Jurschick, Laura Einmahl Regisseurin: Anke Schäfer Der kostenlose Maillisten-Service von Webcreativ http://service-webcreativ.de