[MWS]: VII SBCM

[Bernd Enders]

>From: "BERNADETE ZAGONEL" <musica2000 at uol.com.br>
>To: "Jorge Aguiar" <maxwell at compuland.com.br>
>Subject: VII SBCM
>Date: Sun, 24 Oct 1999 00:53:40 -0200
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>                                              ********   VII Brazilian
>Symposium on Computer Music   ******** ********************  17--20 July
>2000  ******************** ***********************     Brazil    
>***********************                                   PRELIMINARY CALL
>FOR                   PAPERS, COMPOSITIONS, TUTORIALS AND                  
>           PRODUCT DEMONSTRATIONS  The Sixth Brazilian Symposium on
>Computer Music saw researchers from various countries discussing their
>experiences in a friendly and informal atmosphere. The Seventh Brazilian
>Symposium, chaired by Bernadete Zagonel (bzagonel at humanas.ufpr.br) , will
>be held in Curitiba, the capital of the Parana state, from 17 to 20 July
>2000. The Brazilian Symposia are organized by NUCOM, the computer music
>branch of the Brazilian Computing Society and pride themselves on their
>intercultural nature and selection policies.  Roger Dannenberg (USA) and
>Leigh Landy (UK) will deliver the keynote speeches. There will be paper
>presentations, concerts, tutorials and product demonstrations. Researchers,
>composers, educators, manufactures and all concerned with the interplay
>between music and technology are invited to submit papers, compositions,
>tutorial projects and product demonstration proposals.  *important dates* 
>--- 25 February 2000 --- closing date for postage of compositions --- 3
>March 2000 --- closing date for postage of papers, tutorials and product
>demonstration proposals --- 31 March 2000 --- notification of acceptance of
>papers --- 21 April 2000 --- notification of acceptance of compositions,
>tutorials and product demonstration proposals --- 21 April 2000 --- closing
>date for camera-ready papers  *submission of papers*  Topics of interest
>include, but are not limited to:  Acoustics, Diffusion, Sonorization
>Artificial Life and Evolutionary Music Systems Audio Hardware Design Audio
>Signal Processing Computer Aided Musical Education Computer Aided Music
>Analysis Computer-Aided Musicology Internet Applications Multimedia
>Integration Music Data Structures and Representation Music Notation,
>Printing and Optical Recognition The Musicologies of Digital Musics
>Psychoacoustics and Cognitive Modelling Real-time Interactive Systems Sound
>Synthesis Systems and Languages for Composition  This year we are giving
>particular emphasis to the musicologies (historical, systematic, ethno,
>critical etc) of digital musics (computer music, electroacoustic music,
>soundscape, techno etc.). Papers reporting ongoing or concluded research
>should be submitted in a preliminary version of no more than 8 pages (Times
>Roman 12 and 1.5 interline space). Please state clearly in the front page
>which of the above headings, if any, best describes your subject matter.
>Preliminary submissions in Portuguese will be accepted on the understanding
>that their authors will undertake to present the final version in English.
>You are kindly requested not to reveal your identity in your paper (avoid
>self reference etc.). Please send MS Word 97 compatible files as e.-mail
>attachments to the Chairs, Aluizio Arcela *and* Carlos Palombini:
>arcela at cic.unb.br and palombini at usa.net.  By agreement with the Editors, a
>selection of musicological papers will be published online in the
>*Electronic Musicological Review* and the *Critical Musicology Journal*, as
>appropriate. Since online publication is likely in all areas, authors are
>encouraged to take advantage of hypertext facilities.  *committee of papers
>*  Aluizio Arcela, *Chair*, University of Brasilia, Brazil Daniel Arfib,
>CNRS-LMA, Marseille, France Peter Beyls, St Lukas Art School, Belgium
>Georgina Born, Emmanuel College, University of Cambridge, UK Moisei Boroda,
>German Association of Musicians, Germany Marcio Brandao, University of
>Edinburgh, UK Antonio Camurri, University of Genoa, Italy Furio Damiani,
>State University of Campinas, Brazil Roger Dannenberg, Carnegie Mellon
>University, USA Myrian Desainte-Catherine, University of Bordeaux, France
>Simon Emmerson, City University, UK Carole Gubernikoff, University of Rio
>de Janeiro, Brazil Fabio Kon, University of Illinois at Urbana-Champaign,
>USA Leigh Landy, De Montfort University, UK Victor Lazzarini, National
>University of Ireland, Eire Peter Manning, University of Durham, UK Jonatas
>Manzolli, State University of Campinas, Brazil Eduardo Miranda, Lamesm,
>Federal University of Santa Maria, Brazil, and Sony CSL-Paris, France Axel
>Mulder, Infusion Systems Ltd., Canada Richard Orton, University of York, UK
>Carlos Palombini, *Chair*, Federal University of Pernambuco, Brazil Geber
>Ramalho, Federal University of Pernambuco, Brazil Alistair Riddell,
>Queensland University of Technology, Australia Steve Sweeney-Turner,
>University of Leeds, UK Rick Taube, University of Illinois at
>Urbana-Champaign, USA Petri Toiviainen, University of Jyvaskyla, Finland
>Barry Truax, Simon Fraser University, Canada Mirjana Veselinovic-Hofman,
>Belgrade University of Arts, Yugoslavia Marcelo M. Wanderley, IRCAM ---
>Centre Georges Pompidou, France Luke Windsor, University of Leeds, UK 
>*submission of compositions*  The Seventh Brazilian Symposium on Computer
>Music will seek to highlight the variety of musical styles that come under
>the computer music heading. Submissions are invited from composers working
>in all genres within the field. Formats are as follows:  [1] music for
>tape, 2 to 8 channels;  [2] music for tape or live-electronics with vocal
>and/or instrumental parts;  [3] algorithmic composition, vocal and/or
>instrumental.  For [1] send DAT or CD.  For [2] send DAT or CD recording of
>the electronic part plus full score and, if at all possible, a recording of
>the full piece.  For [3] send DAT or CD plus full score.  Submission must
>include:  --- one copy of a brief programme note (10 to 15 lines in
>English, Portuguese or Spanish);  --- one copy of a short biography (10 to
>15 lines in English, Portuguese or Spanish);  --- three copies of all music
>materials (CDs, DATs and scores).  Please post submissions by air mail to
>the Chair, Fernando Iazzetta, to whom enquiries may be addressed:
>iazzetta at usp.br.  Fernando Iazzetta USP - ECA - Dpto. Musica Rua da Antiga
>Reitoria, S/N 05508-900 - Sao Paulo - SP Brazil  Please, note:  --- pieces
>not exceeding 12 minutes are preferred;  --- compositions must have been
>created no earlier than in 1997;  --- although we cannot guarantee
>execution of pieces that involve vocal or instrumental forces or that bring
>extra costs to the event, we shall do our best to work out a solution in
>consultation with the authors;  --- pieces for more than 2 channels require
>that the submission of a stereo DAT or CD be followed, if selected, by the
>multi-track tape.  --- submissions will be deposited in the symposia
>archive and will not be returned;  --- up to 2 different works may be
>submitted by composer.  *committee of compositions*:  Miguel Azguime,
>Portugal Francoise Barriere, France Rodolfo Caesar, Brazil Carlos Cerana,
>Argentina Paulo Chagas, Brazil/Germany Silvio Ferraz, Brazil Denise Garcia,
>Brazil Fernando Iazzetta, *Chair*, Brazil Paul Lansky, USA Emmanuelle
>Loubet, Japan/Germany Wilson Sukorski, Brazil  *tutorials and product
>demonstrations*  Please contact Conrado Silva: conrado at unb.br  Conrado
>Silva Universidade de Brasilia Colina Bl. E Ap. 602 70910-900 Brasilia DF
>BRASIL tel.  +55 61 349-8978 fax  +55 61 349-0757  For updated information
>please visit the Symposium website 
>http://www.eca.usp.br/nucleos/lami/nucom/sbcm2000.html  PLEASE FORWARD AT
>YOUR DISCRETION                                                  

-- 
Prof. Dr. Bernd Enders

Universität Osnabrück
Forschungsstelle Musik- und Medientechnologie
Schloß, Neuer Graben, D-49069 Osnabrück

http://www.fmt.uni-osnabrueck.de

TEL (+)541/969-4147
FAX (+)541/969-4775

e-mail: Bernd.Enders at uni-osnabrueck.de
http://www.musik.uni-osnabrueck.de/lehrende/enders

TEL/FAX priv.  (+)541/53176
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